The Arabic Type Design Archive

I started my studies in architecture in Baghdad, before shifting into graphic design, working for years in advertising, branding, and editorial projects with local and international clients. Later, my path expanded toward humanitarian work, collaborating with NGOs in places like Aleppo during critical times. Along the way, I lived in Florence, and spent time traveling across historical cities like Baghdad, Istanbul, Aleppo, Damascus, and Beirut, always fascinated by the handwritten calligraphic signs, the energy of street lettering, and the dialogue between architecture and typography, another way of staying close to people and culture.

I have a degree in Graphic Design and have been a member of the Iranian Graphic Designers Society (since 1987). I am involved in typeface design, font development, and logotype design. I have publicly released the Potk and Borna fonts, and I designed the Ayandeh, Ali Baba, Bonyad Koodak, Fanoos, and Inverse fonts in collaboration with Reza Bakhtiari Fard. The design and creation of the Kamand font in collaboration with Omid Emamian, as well as the development of the Valman font, are among my latest activities. I have held various workshops and courses in the field of typography, and I received the third Grand Prize at the 2021-2022 Granshan competition in Armenia for the Ali Baba font and a special award for the Potk font.

Borna Izadpanah is a Lecturer in Typography at the University of Reading, from where he was also awarded a PhD, and an MA in Typeface Design. His doctoral research explored the history of the early typographic representation of the Persian language. Borna has received numerous prestigious awards for his research and typeface design, including the Grand Prize and the First Prize for Arabic Text Typeface in the Granshan Type Design Competition, two Awards for Excellence in Type Design from the Type Directors Club, and the Symposia Iranica Prize for the best paper in Art History.

Founder of Hamim Studio. Specialized in logo and visual identity design

He was born in Teheran. After completing his school education in Iran,he studied illustration and book design at the Hochschule für Gestaltung (HfG), an academy of design, in Offenbach, Germany. Thereafter he was engaged as art director in various advertising agencies in Germany, Switzerland and England. He also worked as a freelance graphic designer with focus on illustration and brand designing for leading producers of brand articles in Europe, and also for broadcasting stations in Germany and other European countries. He was occupied with theoretical work in the field of color and research in the passive perception of color and "after image" phenomena. He carried out an analysis of the letters of the Arabic alphabet and a definition of their structure, enabling him to design a number of modern types of Arabic script. The publication of the illustrated quatrains of Omar Khayyam is his most recent project. He devoted five years of intensive and creative study to produce the book. Naghi Naghashian created the Arianª font family in 2009 and Aban font family, Jasna font family, Anahita Headline font, Avesta ExtraBoldCondensed, Ahoura font family, BiBi Font family, Decora one, Decora Two, Bamdad ExtraBoldCondensed and Parsi Font family in 2010 and 2011.

A typeface design studio and font distributor that addresses the needs of global typography. Together with our collaborators, we create original fonts for a polyphonic world. Our research-based practice has been recognized and received awards from within the industry. But most importantly it has enabled people to read better in their native language.

An independent type foundry based in Cairo, Egypt. Driven by the love of our Arabic heritage, we're on a mission to explore the wide boundaries of Arabic letters potential. Our motto is "Arabic lives, Arabic lasts".

29Letters Type Foundry S.L. [29LT] is dedicated to creating and publishing multiscript typefaces. Its Arabic and Latin typography leading edge arises from its collaborative team of professional Arab and European type designers crafting high-quality typefaces. Besides publishing unique retail fonts, 29LT frequently joins forces with renowned international branding, design, and advertising agencies to deliver high-end typographic solutions, such as bespoke fonts and wordmarks.

TNTypography in Paris, and specializes in Arabic typeface design, typography and custom type. A 2006 graduate in the Master of Arts Typeface Design programme at the Department of Typography and Visual Communication, University of Reading, he also studied Arabic script at the École Supérier d'Art et de Design d'Amiens, France. Titus holds a PhD in Typography & Graphic Communication from the University of Reading, UK.

Alif Type the online home for my, Khaled Hosny, typefaces. It is a virtual type foundry, in the sense that there no physical place, a company, or employees, it is just me doing things I love mostly in my spare time. My typefaces are all free, and open source.