The Arabic Type Design Archive

Santiago Orozco is a type designer and engineer specializing in screen and print typography, with nine years of experience shaping fonts, information design, and art direction. Based in Norway, he currently contributes as a Type Designer at Font Bureau and Typemade, blending craftsmanship with code across font development and typography projects. His career also includes leadership roles as Operations & Art Director at OnixMedia and as Art Director/Information Designer at Danilo Design Group, illustrating a strong track record in creative direction and technical execution. He actively engages with the typography community as an organizer at tipografiamx and collaborates with Fontdeck and Typekit, reflecting a global, design-forward ethos. A proponent of simplicity, he applies web, mobile, and design sensibilities to deliver clean, legible type systems and user-friendly typographic experiences.

When setting up to establish 29Letters Type Foundry in 2013, Lebanese designer and educator Pascal Zoghbi aspired to explore the diversity and potential of the Arabic script. Zoghbi envisioned 29LT with a cross-cultural approach. Having evolved, studied and worked in a multicultural and largely bilingual environment, he embraced multilingualism. Coming into contact with more than one language in his everyday life, he has developed an exceptional ability to think global and to reflect the various technical, conventional, and cultural writing systems into his work. Accordingly, he has excelled in creating innovative, high-quality contemporary multiscript type families, each of which is unique in its design approach and responds to regional and international market needs. Staying true to his culture, he worked on turning traditional Arabic script into contemporary type. Always on the lookout for new ideas and harmony between scripts, he explores various tools and techniques and regularly partners with a team of professional designers specialized in specific scripts to create multiscript typography.

Hirbod Lotfian is a graduate of the Faculty of Fine Arts at the University of Tehran, a Post-Master’s student in Type Design in France, and a member of the Iranian Graphic Designers Guild. Awards & Recognitions: Excellence in Typography Award – Type Directors Club, USA 2nd Place & Special Mention – Granshan 1st Prize & Silver Sarv (2019) and Honorable Mention (2013) – Iranian Graphic Designers Guild 1st Prize – Annual Book Design Art Competition

Borna Izadpanah is a Lecturer in Typography at the University of Reading, from where he was also awarded a PhD, and an MA in Typeface Design. His doctoral research explored the history of the early typographic representation of the Persian language. Borna has received numerous prestigious awards for his research and typeface design, including the Grand Prize and the First Prize for Arabic Text Typeface in the Granshan Type Design Competition, two Awards for Excellence in Type Design from the Type Directors Club, and the Symposia Iranica Prize for the best paper in Art History.

Hi, I’m Ehsan, a graphic designer and typographer. My passion lies in blending different lettering and calligraphic cultures. In collaboration with Nahaaki Studio, I’ve had the honor of designing and redesigning logotypes for well-known brands such as Delester and Abali. For the typeface Doran, together with Reza Bakhtiari-Fard and Fereshteh Iranshahi, I designed the Armenian version of the font.

TNTypography in Paris, and specializes in Arabic typeface design, typography and custom type. A 2006 graduate in the Master of Arts Typeface Design programme at the Department of Typography and Visual Communication, University of Reading, he also studied Arabic script at the École Supérier d'Art et de Design d'Amiens, France. Titus holds a PhD in Typography & Graphic Communication from the University of Reading, UK.

29Letters Type Foundry S.L. [29LT] is dedicated to creating and publishing multiscript typefaces. Its Arabic and Latin typography leading edge arises from its collaborative team of professional Arab and European type designers crafting high-quality typefaces. Besides publishing unique retail fonts, 29LT frequently joins forces with renowned international branding, design, and advertising agencies to deliver high-end typographic solutions, such as bespoke fonts and wordmarks.

This is KO-type. The move you probably anticipated, that will knock all free font-haters out of their chairs. That was a joke. Kotype is a community dedicated to the love of Arabic fonts. Whether it’s appreciation, creation, or simply usage, we are all connected by the love of Arabic Fonts, just like our love for the Arabic language.

NaN is an exploratory and service-driven type design practice balancing weirdness and wisdom. Together with our wonderful rag-tag team of collaborators, clients and crew, we explore the relationship type has with code and technology – delivering projects with purpose. You can expect to find us at the intersection of serious and slap-happy.

Monocotype is an independent type foundry based in Jakarta, Indonesia, specializing in retail and custom fonts that support multilingual typography. We design typefaces for Latin, Arabic, Korean, Thai, and other scripts, with a strong focus on clarity, cultural relevance, and cross-language usability.Our catalog includes everything from modern display fonts to technical single-line typefaces optimized for CNC, laser, and plotter use.Founded by Abdurrahman Hanif, Monocotype combines design precision with practical licensing, making our fonts suitable for brands, publishers, and creators worldwide.Discover more at monocotype.com or follow our updates on Instagram @monocotype.