The Arabic Type Design Archive

Find the perfect font for your next project

Designers

The creative minds behind your favorite fonts

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Kourosh Beigpour

Kourosh Beigpour is an award-winning graphic artist and designer originally from Kermanshah, Iran, now based in Los Angeles. His distinctive design approach fuses contemporary and traditional influences, earning him recognition worldwide, with his works being published in over 20 countries. Beigpour has collaborated with prestigious clients, including Google, The Broad, The J. Paul Getty Museum, UCI, UCLA, NEIU, OSU, Canada Type, the Powerhouse Museum, DoppelHouse Press, and The Samuel Jordan Center for Persian Studies and Culture. His work is also part of the permanent collection at LACMA (Los Angeles County Museum of Art). He founded K-B Studio in 2011 and has recently completed a fellowship at Stanford University, where he focused on advanced research and projects in type design. Beigpour holds a BFA from Tehran University of Art and an MFA from Limkokwing University in Malaysia. He also graduated from Type West in San Francisco with a Postgraduate program in Type Design. Deeply influenced by his Kurdish heritage and mysticism, these cultural elements are integral to his design philosophy. Kourosh continues to innovate in typography, weaving spiritual and mystic influences into his creative work.

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Juan Luis Blanco

A graphic designer, type designer, and calligrapher based in Zumaia (Spain). He has worked as a freelance graphic designer since 1997, and in 2013, he attained an MA in Typeface Design at the University of Reading. During the MA in Typeface Design, he developed Amaikha, a multi-script font family comprising Latin, Greek, Cyrillic, Arabic, and Tifinagh. Currently, he combines calligraphy classes and graphic design with typographic projects that focus on the Basque lettering style as well as multi-script typefaces involving the Latin, Arabic, and Tifinagh alphabets. He loves designing typefaces and maintains a healthy balance by rock-climbing.

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Ali Almasri

A type designer and multidisciplinary artist. In 2014 he launched his own type foundry under the name Abjad. In 2020 he launched his own concept store, inspired by Arabic Calligraphy, and the diversity of the visual culture that spread across Islamic lands. He also co-founded the social design initiative Wajha in 2012.

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Sultan Maqtari

Founder of Sultan Maqtari in 2003 in Aden City for Typefaces and graphic design. Sultan Fonts has a Collection of premium fonts for desktop applications, for websites, and for digital ads.

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Ethar

Hello, I am Ethar (pronounced Ee-thar), a visual and type designer with a passion for typography, motion, and digital design. I've been teaching myself Arabic type design, as I enjoy exploring the potential of digital type. Recently, I have started blogging to document my journey in design, with the hope of contributing to the enrichment of design resources in Arabic.

Foundries

The world’s leading type foundries

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Sharp Type

A global type design studio that offers high-quality typefaces for retail licensing and custom client projects.

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Arillatype.Studio

Arillatype.Studio® is a type design studio exploring the intersection of creativity, craft and technology. We design contemporary retail typefaces and charismatic custom fonts.

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Latinotype

Latinotype is a Chilean digital type foundry founded in 2007 that designs and distributes high-quality fonts inspired by Latin American culture and global influences. They have a large library of fonts, are considered a leading type company globally, and offer custom font services.

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TPTQ

A type foundry and design studio specifically focused on developing high quality Arabic typefaces. It is the result of a collaboration that started in 2011 between Kristyan Sarkis and Peter Bilak of Typotheque.

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TS Fonts

TSfonts type studio was founded by Tarek Alsawwa in 2019 and is based in Istanbul, Turkey. We have developed a strong library of beautiful fonts, which we own and license to designers, advertisers, and brands. We're constantly crafting and adding new fonts to keep our body of work fresh and relevant.