The Arabic Type Design Archive

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Designers

The creative minds behind your favorite fonts

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Kareem Mrghani

" Art Director " -Branding -Graphic Design -Typographer -Font Designer -Photographer

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Naghi Naghachian

Born in Teheran. After completing his school education in Iran,he studied illustration and book design at the Hochschule für Gestaltung (HfG), an academy of design, in Offenbach, Germany. Thereafter he was engaged as art director in various advertising agencies in Germany, Switzerland and England. He also worked as a freelance graphic designer with focus on illustration and brand designing for leading producers of brand articles in Europe, and also for broadcasting stations in Germany and other European countries. He was occupied with theoretical work in the field of color and research in the passive perception of color and "after image" phenomena. He carried out an analysis of the letters of the Arabic alphabet and a definition of their structure, enabling him to design a number of modern types of Arabic script. The publication of the illustrated quatrains of Omar Khayyam is his most recent project. He devoted five years of intensive and creative study to produce the book. Naghi Naghashian created the Arianª font family in 2009 and Aban font family, Jasna font family, Anahita Headline font, Avesta ExtraBoldCondensed, Ahoura font family, BiBi Font family, Decora one, Decora Two, Bamdad ExtraBoldCondensed and Parsi Font family in 2010 and 2011.

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Seyed Mahdi Seyedinia

Seyed Mahdi Seyedinia, born in 2002 in Kashan, is an active and experimental designer in the field of type design (logotype, typography, and typeface design).

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Ali Almasri

A type designer and multidisciplinary artist. In 2014 he launched his own type foundry under the name Abjad. In 2020 he launched his own concept store, inspired by Arabic Calligraphy, and the diversity of the visual culture that spread across Islamic lands. He also co-founded the social design initiative Wajha in 2012.

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Jawaher Alali

Jawaher Alali is a designer and educator from Bahrain. She graduated with degrees in Graphic Design and Advertising from Drake University, and holds an MA in Typeface Design from the University of Reading. Jawaher has experience working as a graphic designer in the fields of publishing, branding, and advertising, and is currently a full-time lecturer of Visual Design at Bahrain Polytechnic.

Foundries

The world’s leading type foundries

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Typerepublic

An independent type foundry based in Barcelona dedicated to the design and distribution of digital fonts. Founder and principal designer Andreu Balius has experienced type design since the late 1980’s.

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Mohtaraf

Al Mohtaraf is a multi-disciplinary design house that offers a diverse and impressive experience in editorial design, branding and corporate identities, Arabic type design, print publications and space design from offices in Jeddah, Riyadh, Khobar and Beirut. We are one of the few specialized graphic design houses in the region. From a culture so rich in graphic tradition, Al Mohtaraf’s vision is to carry the seeds of tradition into the contemporary cultural scene of the Arab world.

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Arillatype.Studio

Arillatype.Studio® is a type design studio exploring the intersection of creativity, craft and technology. We design contemporary retail typefaces and charismatic custom fonts.

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Letterjuice

We specialise in letters in a broad sense, from type design to lettering, from Latin to Arabic, passing through other scripts such as Armenian, Cyrillic, Georgian, Greek, Hebrew and Thai. We are surrounded by a network of bright collaborators and consultants in order to ensure the best possible quality. Our work has been recognised internationally in several type competitions such us TDC, ED-Awards, Morisawa, Granshan, Modern Cyrillic and Horouf.

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Foundry5

Foundry5 is a type foundry dedicated to the design and production of fonts for diverse world scripts. Established by Kostas Bartsokas, Mohamad Dakak, Jason Harcombe, and Pria Ravichandran, the foundry was born out of a shared passion for typography and a deep respect for the cultural significance of each writing system.