The Arabic Type Design Archive

Masters in Type Design at the University of Reading in 2016 and joined us as a fully fledged Lazydog in 2020. Kat has worked as a typographer and graphic designer before she went on to study type design at the University of Reading in 2015/16. She not only works as a type designer and design director, but also teaches typography at the DIPLOMA University of Applied Sciences and has been part of numerous design conference teams (Granshan, EDCH, Dynamic Font Day). As a graduate of the MATD she brings an international approach and outlook to our company. Besides a love of letters with diacritics she is interested in writing systems beyond Latin, particularly Cyrillic and Arabic – and she is officially responsible for our Lazydogs’ Capital Eszett glyphs. In addition to those official duties, the freshest kat in our dog house also entertains us with type designers’ gossip from the social media realm and the hottest stories from Munich’s graphic design scene.

Mike Abbink est le directeur exécutif de la création dans l’équipe Brand Experience and Design au sein d’IBM. Il a démarré sa carrière en 1996 en tant que designer chez MetaDesign à San Francisco. Il est ensuite devenu directeur de la création pour le Museum of Modern Art, pour Wolff Olins, pour Saffron Consultants et pour Method (dont il est également le cofondateur). Il a par la suite occupé le poste de directeur du design chez Apple Computer. En parallèle de sa carrière de graphiste, Mike Abbink a également créé des polices au caractère énergique pour lesquelles il a reçu plusieurs récompenses, telles que FF Kievit, FF Milo, GE Inspira, Brando Serif et Sans et, plus récemment, IBM Plex®. Enfin, Mike Abbink continue de concevoir et de collaborer à la création de polices avec Bold Monday.

Egyptian designer who lives in Cairo, interested in any form of visual or audio representation. Worked at “People of the Internet” agency as a graphic designer, video editor, creative content creator, and music producer. Currently studying applied sciences and arts (Graphic design major) at the German University in Cairo.

Typographer, Logotype & Typeface Design Instructor • Design Irancell, Tehran Book Garden, Leila, Ravi, Abar & Paykan • Design MyBaby, Alibaba, Ayandeh Bank, Fanoos (Hamkaran System), Inverse School, Bonyade Koodak & InshapeBody typefaces in collaboration with Mahdi Ershadi • Design MIKA, Vazeh quranic typefaces, Dabestan & Ray typefaces in collaboration with Omid Emamian • Design Doran typeface in collaboration with Fereshteh Iranshahi • Design Yekan Bakh typeface (Redesigning Yekan Typeface) in collaboration with Mahan Jafarzadeh • Design Novin Web typeface (Redesigning Novin Typeface designed by Hirbod Lotfian) • Design Nian typeface in collaboration with Afsaneh Salek Notable Achievements • 3rd Place and Honorable Diploma - GRANSHAN Type Design Competition. • Grand Prize - Silk Road Biennial for Typeface Design. • TDC Typographic Excellence (2018) - Vazeh UI Quranic Typeface. • TDC Typographic Excellence (2018) - Ray Typeface. • TDC Typographic Excellence (2019) - Vazeh Classic Quranic Typeface.

Ahmed Abo Elhassan, a brand designer and lettering artist with 10 years of experience in brand identity, logotype, and lettering. Specializing in Arabic visual branding and the use of Arabic calligraphy in creative and contemporary styles. Passionate about creating visually-compelling designs that effectively communicate brand messages and values.

Hi, I’m Vitória and this is my playground! Just in case you were wondering, “Seven” is my last name backwards. Since I believe that designing typefaces is the ultimate level of dedication to letterforms I created the SevenType Studio – an independent type foundry.

Monotype Fonts transforms the way modern brands work by making font licensing and management simple, secure, and scalable across teams.

Specialize in typography and offer innovative font solutions designed & programming to meet the needs of global and local audiences.

29Letters Type Foundry S.L. [29LT] is dedicated to creating and publishing multiscript typefaces. Its Arabic and Latin typography leading edge arises from its collaborative team of professional Arab and European type designers crafting high-quality typefaces. Besides publishing unique retail fonts, 29LT frequently joins forces with renowned international branding, design, and advertising agencies to deliver high-end typographic solutions, such as bespoke fonts and wordmarks.

We are a type foundry situated in the heart of Copenhagen, Denmark. For more than twenty years we have been making retail and custom-made typefaces for international brands.