The Arabic Type Design Archive

Amir is Master in business management. He has been interested in typography since 2019 and is active in the field of lettering, logotype design and font design.

Sina Fakour is a visual artist, graphic and type designer, researcher and tutor. He graduated with a BA in Graphic Design from the Ecole des Beaux-Arts de Lyon, and holds a master's degree in Graphic Design from the École supérieure d’art et design de Valence. In 2023, he also completed his post-master research program at Atelier National de Recherche Typographique in Nancy, France. His work revolves around the concepts of language, writing systems, code, and translation. These concepts are expressed through diverse mediums, including Print, multilingual typography, editorial design, type design, creative coding, scientific experimentation, tool making, photography, video, & more. Furthermore, he participates in and gives lectures on typography, his research, and his practice at various events, as well as regularly engaging with art schools as a lecturer, jury member, or workshop instructor. He is currently assistant professor at the American university of Beirut (AUB).

I started my studies in architecture in Baghdad, before shifting into graphic design, working for years in advertising, branding, and editorial projects with local and international clients. Later, my path expanded toward humanitarian work, collaborating with NGOs in places like Aleppo during critical times. Along the way, I lived in Florence, and spent time traveling across historical cities like Baghdad, Istanbul, Aleppo, Damascus, and Beirut, always fascinated by the handwritten calligraphic signs, the energy of street lettering, and the dialogue between architecture and typography, another way of staying close to people and culture.

Born in 1365 (1986) | Shiraz Bachelor's in Graphic Design | Non-profit Shiraz Art University Typographer and Typeface Designer Philosophy Typeface Design | 1400 (2021) Telegraph Typeface Design | 1401 (2022) Gramophone Typeface Design | 1402 (2023

Born in 1362 in Kermanshah Typeface and logotype designer He is a PhD student of graphics at Tehran University. in different universities such as; Al-Zahra, Soura, Apadana (Shiraz) and... teach graphic courses at undergraduate and graduate levels. Also, various research works of his in the field of graphics have been published in the form of books and articles. As a graphic designer with various collections such as; Pegah, Mino Industrial Group, Biomax, Pishgaman, etc. have cooperated so far.

Al Mohtaraf is a multi-disciplinary design house that offers a diverse and impressive experience in editorial design, branding and corporate identities, Arabic type design, print publications and space design from offices in Jeddah, Riyadh, Khobar and Beirut. We are one of the few specialized graphic design houses in the region. From a culture so rich in graphic tradition, Al Mohtaraf’s vision is to carry the seeds of tradition into the contemporary cultural scene of the Arab world.

Hi, I’m Vitória and this is my playground! Just in case you were wondering, “Seven” is my last name backwards. Since I believe that designing typefaces is the ultimate level of dedication to letterforms I created the SevenType Studio – an independent type foundry.

Abjad aspires to develop and transfer the Arabic typography, to the same level, that was reached by Arab and Muslim calligraphers, who came from very diverse cities and civilizations, extending from Samarkand and China in the east, to Andalusia in the west. This diversity has produced countless forms and schools of Arabic calligraphy.

Being the first and most experienced independent font foundry from South America, PampaType was founded in 2001 in Argentina by Alejandro Lo Celso, with the purpose of developing high quality typefaces for the widest range of uses, engaging in both retail & bespoke font industries. Since then their passion and work, which pioneered the Latin American type design scene, have become widely known and appreciated. Their typefaces have been broadly recognized for their quality and originality, and their team have become more international and more experienced. They believe in the idea of diversity. It is not unusual that PampaType families include various styles, some of them meant for immersive reading, some others for titling or decorative use. Their fonts are carefully handcrafted. They pay serious attention to details so characters look good both printed and on screen. Spacing and kerning are made by hand following visual strategies rather than mathematical methods. Therefore instead of feeling mechanical, their fonts build an organic rhythm, aiming at a friendly atmosphere and comfortable reading.

Arillatype.Studio® is a type design studio exploring the intersection of creativity, craft and technology. We design contemporary retail typefaces and charismatic custom fonts.