The Arabic Type Design Archive

Albert-Jan Pool is a Dutch designer based in Hamburg, Germany. After his studies at Gerrit Noordzij at the Royal Academy in The Hague (NL), he was a type director at Scangraphic and URW. In 1995 his career started as a graphic designer. At the suggestion of Erik Spiekermann, he designed FF OCR-F and FF DIN, one of the most successful fonts at FontShop. The interplay of graphic design, marketing and writing led to the publication of “types make brands powerful” together with Stefan Rögener (AdFinder) and Ursula Packhäuser. The English edition “Branding with Type” appeared at AdobePress. At the Hanseatic Academy for Marketing and Media in Hamburg, he taught typography in the Department of Communication Design for several years. One of his specialties is the development of corporate type, e.g. the Jet Set Sans, for the likewise memorably designed yellow-blue filling stations (Design: Syndicate Brand & Corporate Design, Hamburg). The C & A InfoType was developed together with Uwe Melichar from Factor Design for their customer C & A. The next project in this series was the DTL HEIN GAS, the exclusive handwriting for HEINGAS Hamburger Gaswerke (now E.ON Hanse). In 2009, he designed a corporate type for the new petrol stations at HEM. Fabian Eschkötter, who designed the design “Frappant” as part of his diploma thesis, supported him energetically.

A graphic designer interested in branding and typography He worked in more than one design studio and worked as a freelance designer. He has many active participations in designing typography and interest in reviving Arab and Saudi heritage

A graphic and type designer. He founded TSfonts Type Studio in 2020, based in Istanbul, Turkey. Under his vision, they have built a rich library of distinctive fonts that they own and license to designers, advertisers, and brands worldwide. Continuously expanding, he is dedicated to developing fresh fonts that reflect current trends while staying true to tradition.

A type designer and typographer. His internationally recognized practice spans commercial and cultural work, with a focus on Arabic and multilingual design. Titus’s interests and activities extend to academic research and teaching in higher education: His monograph Arabic Type-Making in the Machine Age was published with Brill in 2017, and he has taught type design and typography at schools in Austria, France, Morocco, Qatar, and the UK.

With over 15 years of experience in graphic design and typeface creation, he has designed several fonts, including Farhoud, Capsule, Ostad, and Melli.

Founded by Neil Summerour in 2000. A trained designer, lettering artist, and calligrapher, Summerour established Positype to accentuate the craft behind producing typefaces. The subtleties of mass, perfect imperfections, warmth, and uniqueness are foundational tenets to developing the foundry’s commercial offerings with the ultimate goal of producing useful and reliable fonts.

Foundry5 is a type foundry dedicated to the design and production of fonts for diverse world scripts. Established by Kostas Bartsokas, Mohamad Dakak, Jason Harcombe, and Pria Ravichandran, the foundry was born out of a shared passion for typography and a deep respect for the cultural significance of each writing system.

Being the first and most experienced independent font foundry from South America, PampaType was founded in 2001 in Argentina by Alejandro Lo Celso, with the purpose of developing high quality typefaces for the widest range of uses, engaging in both retail & bespoke font industries. Since then their passion and work, which pioneered the Latin American type design scene, have become widely known and appreciated. Their typefaces have been broadly recognized for their quality and originality, and their team have become more international and more experienced. They believe in the idea of diversity. It is not unusual that PampaType families include various styles, some of them meant for immersive reading, some others for titling or decorative use. Their fonts are carefully handcrafted. They pay serious attention to details so characters look good both printed and on screen. Spacing and kerning are made by hand following visual strategies rather than mathematical methods. Therefore instead of feeling mechanical, their fonts build an organic rhythm, aiming at a friendly atmosphere and comfortable reading.

An independent type foundry based in Barcelona dedicated to the design and distribution of digital fonts. Founder and principal designer Andreu Balius has experienced type design since the late 1980’s.

Through our unique, diverse, curated font platform, TypeTogether creates innovative and stylish solutions to the greatest problems in the professional typography market worldwide.