The Arabic Type Design Archive

Younes Dehghani is a professional graphic designer and the advertising manager of Studio Gooya. He began his professional career in graphic design in 2010. Over the years, his main focus has been on typography, which led him to design posters, logotypes, and book covers with a typographic approach. After founding Studio Goya in 2016, he shifted his focus more towards developing Persian fonts and typography.

Hassan Karimzadeh is a prolific visual artist and art director, with his main focus over the last three decades being cultural graphic design and cartooning. He has been a key member of various international journalism and arts associations. Throughout his artistic career, Hassan has earned numerous titles, honors, and prestigious awards. He has maintained ongoing collaborations with both domestic and foreign journals and publishing houses for several decades. Currently, he serves as the director of Hich Graphic Studio and the artistic director of Tash Publishing and Ghahveh Pictorial Monthly.

Mike Abbink est le directeur exécutif de la création dans l’équipe Brand Experience and Design au sein d’IBM. Il a démarré sa carrière en 1996 en tant que designer chez MetaDesign à San Francisco. Il est ensuite devenu directeur de la création pour le Museum of Modern Art, pour Wolff Olins, pour Saffron Consultants et pour Method (dont il est également le cofondateur). Il a par la suite occupé le poste de directeur du design chez Apple Computer. En parallèle de sa carrière de graphiste, Mike Abbink a également créé des polices au caractère énergique pour lesquelles il a reçu plusieurs récompenses, telles que FF Kievit, FF Milo, GE Inspira, Brando Serif et Sans et, plus récemment, IBM Plex®. Enfin, Mike Abbink continue de concevoir et de collaborer à la création de polices avec Bold Monday.

When setting up to establish 29Letters Type Foundry in 2013, Lebanese designer and educator Pascal Zoghbi aspired to explore the diversity and potential of the Arabic script. Zoghbi envisioned 29LT with a cross-cultural approach. Having evolved, studied and worked in a multicultural and largely bilingual environment, he embraced multilingualism. Coming into contact with more than one language in his everyday life, he has developed an exceptional ability to think global and to reflect the various technical, conventional, and cultural writing systems into his work. Accordingly, he has excelled in creating innovative, high-quality contemporary multiscript type families, each of which is unique in its design approach and responds to regional and international market needs. Staying true to his culture, he worked on turning traditional Arabic script into contemporary type. Always on the lookout for new ideas and harmony between scripts, he explores various tools and techniques and regularly partners with a team of professional designers specialized in specific scripts to create multiscript typography.

An experienced graphic design professional specializing in Persian typography since 2009. Early in his career, he was dedicated to teaching typography design at the university level. Subsequently, he shifted his focus to establishing the FontIran website, where his efforts were redirected to the publication and marketing of Perso-Arabic typefaces. Between 2014 and 2017, Ebrahimi's typefaces underwent a significant transformation, playing a pivotal role in shaping the typographic landscape for Persian web and software design. The launch of FontIran Foundry marked a successful advocacy for voluntary copyright adherence in the realm of Perso-Arabic typefaces, addressing challenges related to sales and income for type designers. . Ebrahimi's impactful contributions have left a lasting impression on the field, influencing the culture of Perso arabic typography and providing solutions to challenges faced by fellow type designers.

A global type design studio that offers high-quality typefaces for retail licensing and custom client projects.

TNTypography in Paris, and specializes in Arabic typeface design, typography and custom type. A 2006 graduate in the Master of Arts Typeface Design programme at the Department of Typography and Visual Communication, University of Reading, he also studied Arabic script at the École Supérier d'Art et de Design d'Amiens, France. Titus holds a PhD in Typography & Graphic Communication from the University of Reading, UK.

Protype is an independent type foundry and a place to explore beautifully typefaces that are made with love.

Established in 2001 in the heart of Florence by Cosimo Lorenzo Pancini, Francesco Canovaro and Debora Manetti. Powered by a team of Branding and Design veterans, the Italian foundry stands out for a prolific portfolio of contemporary type-families and revival fonts.

Founded by Neil Summerour in 2000. A trained designer, lettering artist, and calligrapher, Summerour established Positype to accentuate the craft behind producing typefaces. The subtleties of mass, perfect imperfections, warmth, and uniqueness are foundational tenets to developing the foundry’s commercial offerings with the ultimate goal of producing useful and reliable fonts.