The Arabic Type Design Archive

Borna Izadpanah is a Lecturer in Typography at the University of Reading, from where he was also awarded a PhD, and an MA in Typeface Design. His doctoral research explored the history of the early typographic representation of the Persian language. Borna has received numerous prestigious awards for his research and typeface design, including the Grand Prize and the First Prize for Arabic Text Typeface in the Granshan Type Design Competition, two Awards for Excellence in Type Design from the Type Directors Club, and the Symposia Iranica Prize for the best paper in Art History.

Graphic designer who likes vector types based in Indonesia. He has loved drawing letters and Arabic calligraphy since he was a child, studied the basic rules of Arabic calligraphy at the Islamic Boarding School and Graduated from the Indonesian Institute of the Arts Yogyakarta. When he met GlyphsApp in 2019, he started designing his own typography, and was enthusiastic about harmonizing latin and arabic fonts.

When setting up to establish 29Letters Type Foundry in 2013, Lebanese designer and educator Pascal Zoghbi aspired to explore the diversity and potential of the Arabic script. Zoghbi envisioned 29LT with a cross-cultural approach. Having evolved, studied and worked in a multicultural and largely bilingual environment, he embraced multilingualism. Coming into contact with more than one language in his everyday life, he has developed an exceptional ability to think global and to reflect the various technical, conventional, and cultural writing systems into his work. Accordingly, he has excelled in creating innovative, high-quality contemporary multiscript type families, each of which is unique in its design approach and responds to regional and international market needs. Staying true to his culture, he worked on turning traditional Arabic script into contemporary type. Always on the lookout for new ideas and harmony between scripts, he explores various tools and techniques and regularly partners with a team of professional designers specialized in specific scripts to create multiscript typography.

Born in 1996 Graphic Designer Typographer Logo & Visual Identity Designer Founder of Hadaf Design and Printing Institute • Designer of Lahzeh Font • Designer of Valman Font

Began his journey in type design through Persian graffiti. He holds a degree in Sculpture from the University of Tehran’s Faculty of Fine Arts and has collaborated with leading Tehran-based studios such as Kargah and A4 in designing custom typefaces.

Arabictypography.com is an independent type foundry designing and producing original multilingual digital fonts that respond to specific market needs. Our key expertise is in languages using the Arabic script and additional other scripts matching or working in harmony with Arabic. Our retail fonts library includes a collection of stylish typefaces that we have designed and that are available for immediate purchase in different licensing models. Our fonts vary in styles and design and are specifically designed for a variety of usage possibilities in branding and communication.

At Manchester Type, each project begins with research. Every typeface they develop is pushed along by passion and curiosity. Their fonts are often informed by the history of letterforms and always aimed at contributing to today’s type-culture.

NaN is an exploratory and service-driven type design practice balancing weirdness and wisdom. Together with our wonderful rag-tag team of collaborators, clients and crew, we explore the relationship type has with code and technology – delivering projects with purpose. You can expect to find us at the intersection of serious and slap-happy.

We are a type foundry situated in the heart of Copenhagen, Denmark. For more than twenty years we have been making retail and custom-made typefaces for international brands.

Monotype Fonts transforms the way modern brands work by making font licensing and management simple, secure, and scalable across teams.