The Arabic Type Design Archive
Find the perfect font for your next project
Designers
The creative minds behind your favorite fonts

a seasoned Tunisian front-end developer with a rich journey of over 14 years in the tech world. My current professional landscape is sculpted with Vue 3, Tailwind, and Typescript, where I blend innovation with functionality. Beyond the pixels and code lines, I delve into the world of numismatics, celebrating the art and history encapsulated in each coin. I'm also passionately immersed in type design, where each font tells a story. And, in the elegant strokes of Arabic calligraphy, I find a creative haven, crafting beauty with every curve and line.

Hi, I’m Ehsan, a graphic designer and typographer. My passion lies in blending different lettering and calligraphic cultures. In collaboration with Nahaaki Studio, I’ve had the honor of designing and redesigning logotypes for well-known brands such as Delester and Abali. For the typeface Doran, together with Reza Bakhtiari-Fard and Fereshteh Iranshahi, I designed the Armenian version of the font.

Santiago Orozco is a type designer and engineer specializing in screen and print typography, with nine years of experience shaping fonts, information design, and art direction. Based in Norway, he currently contributes as a Type Designer at Font Bureau and Typemade, blending craftsmanship with code across font development and typography projects. His career also includes leadership roles as Operations & Art Director at OnixMedia and as Art Director/Information Designer at Danilo Design Group, illustrating a strong track record in creative direction and technical execution. He actively engages with the typography community as an organizer at tipografiamx and collaborates with Fontdeck and Typekit, reflecting a global, design-forward ethos. A proponent of simplicity, he applies web, mobile, and design sensibilities to deliver clean, legible type systems and user-friendly typographic experiences.

Laura Garcia Mut, a spanish Graphic Design student born and based in Valencia (Spain).

A type designer and lettering artist, born in Beirut and based in Amsterdam. He holds a Master in Type & Media from the Royal Academy of Art (The Hague). He has co-founded TPTQ Arabic type foundry, Arabic Type Design — Beirut , the first international educational program of its kind and the Arabic Lettering Workshops traveling series. He has taught at LAU Beirut, ESAV Marrakech and currently teaches at the Type & Media master program (Royal Academy of Art — The Hague). He reguarly gives workshops and talks around the world. His work received several awards including the New York Type Directors Club’s Certificate of Typographic Excellence, ATypI’s Letter.2, and the European Design Award.
Foundries
The world’s leading type foundries

Hi, I’m Vitória and this is my playground! Just in case you were wondering, “Seven” is my last name backwards. Since I believe that designing typefaces is the ultimate level of dedication to letterforms I created the SevenType Studio – an independent type foundry.

TNTypography in Paris, and specializes in Arabic typeface design, typography and custom type. A 2006 graduate in the Master of Arts Typeface Design programme at the Department of Typography and Visual Communication, University of Reading, he also studied Arabic script at the École Supérier d'Art et de Design d'Amiens, France. Titus holds a PhD in Typography & Graphic Communication from the University of Reading, UK.

29Letters Type Foundry S.L. [29LT] is dedicated to creating and publishing multiscript typefaces. Its Arabic and Latin typography leading edge arises from its collaborative team of professional Arab and European type designers crafting high-quality typefaces. Besides publishing unique retail fonts, 29LT frequently joins forces with renowned international branding, design, and advertising agencies to deliver high-end typographic solutions, such as bespoke fonts and wordmarks.

Specialize in typography and offer innovative font solutions designed & programming to meet the needs of global and local audiences.

This is KO-type. The move you probably anticipated, that will knock all free font-haters out of their chairs. That was a joke. Kotype is a community dedicated to the love of Arabic fonts. Whether it’s appreciation, creation, or simply usage, we are all connected by the love of Arabic Fonts, just like our love for the Arabic language.
















