The Arabic Type Design Archive

Santiago Orozco is a type designer and engineer specializing in screen and print typography, with nine years of experience shaping fonts, information design, and art direction. Based in Norway, he currently contributes as a Type Designer at Font Bureau and Typemade, blending craftsmanship with code across font development and typography projects. His career also includes leadership roles as Operations & Art Director at OnixMedia and as Art Director/Information Designer at Danilo Design Group, illustrating a strong track record in creative direction and technical execution. He actively engages with the typography community as an organizer at tipografiamx and collaborates with Fontdeck and Typekit, reflecting a global, design-forward ethos. A proponent of simplicity, he applies web, mobile, and design sensibilities to deliver clean, legible type systems and user-friendly typographic experiences.

Hello, I am Ethar (pronounced Ee-thar), a visual and type designer with a passion for typography, motion, and digital design. I've been teaching myself Arabic type design, as I enjoy exploring the potential of digital type. Recently, I have started blogging to document my journey in design, with the hope of contributing to the enrichment of design resources in Arabic.

Specializing in brand development and strategy, from conception to final implementation. I have approximately 12 years of experience in graphic design and art direction, during which I have worked for government entities, marketing agencies, and branding agencies. I have also provided consulting services to various entities and companies.

Graphic designer who likes vector types based in Indonesia. He has loved drawing letters and Arabic calligraphy since he was a child, studied the basic rules of Arabic calligraphy at the Islamic Boarding School and Graduated from the Indonesian Institute of the Arts Yogyakarta. When he met GlyphsApp in 2019, he started designing his own typography, and was enthusiastic about harmonizing latin and arabic fonts.

Kourosh Beigpour is an award-winning graphic artist and designer originally from Kermanshah, Iran, now based in Los Angeles. His distinctive design approach fuses contemporary and traditional influences, earning him recognition worldwide, with his works being published in over 20 countries. Beigpour has collaborated with prestigious clients, including Google, The Broad, The J. Paul Getty Museum, UCI, UCLA, NEIU, OSU, Canada Type, the Powerhouse Museum, DoppelHouse Press, and The Samuel Jordan Center for Persian Studies and Culture. His work is also part of the permanent collection at LACMA (Los Angeles County Museum of Art). He founded K-B Studio in 2011 and has recently completed a fellowship at Stanford University, where he focused on advanced research and projects in type design. Beigpour holds a BFA from Tehran University of Art and an MFA from Limkokwing University in Malaysia. He also graduated from Type West in San Francisco with a Postgraduate program in Type Design. Deeply influenced by his Kurdish heritage and mysticism, these cultural elements are integral to his design philosophy. Kourosh continues to innovate in typography, weaving spiritual and mystic influences into his creative work.

Specialize in typography and offer innovative font solutions designed & programming to meet the needs of global and local audiences.

Mestara which is a measurement tool means the “ruler” symbolizes our precision, we are a type foundry specialized in creating and designing Arabic typefaces. Founded by a professional calligrapher and designer, Mestara aims to reflect the beauty, and modernity while respecting traditional calligraphic principles.

A global type design studio that offers high-quality typefaces for retail licensing and custom client projects.

Being the first and most experienced independent font foundry from South America, PampaType was founded in 2001 in Argentina by Alejandro Lo Celso, with the purpose of developing high quality typefaces for the widest range of uses, engaging in both retail & bespoke font industries. Since then their passion and work, which pioneered the Latin American type design scene, have become widely known and appreciated. Their typefaces have been broadly recognized for their quality and originality, and their team have become more international and more experienced. They believe in the idea of diversity. It is not unusual that PampaType families include various styles, some of them meant for immersive reading, some others for titling or decorative use. Their fonts are carefully handcrafted. They pay serious attention to details so characters look good both printed and on screen. Spacing and kerning are made by hand following visual strategies rather than mathematical methods. Therefore instead of feeling mechanical, their fonts build an organic rhythm, aiming at a friendly atmosphere and comfortable reading.

Boharat is a type foundry that aims to introduce new flavors to the Arabic design scene. Boharat Cairo offers remarkable retail fonts, and accepts custom and bespoke fonts and typography related projects.