The Arabic Type Design Archive

Aida Sakkal specializes in all things technical and she is particularly interested in programming the artistic tendencies of beautifully hand-written calligraphy. With a B.S. degree in Computer Science from the University of Washington, her other primary interest is in developing tools to aid and automate the font creation process. Aida has been working with OpenType since 2001 and has played a role in the growth of OpenType and its application to Arabic fonts.

Lebanese-Dutch Tarek Atrissi is one of the most recognized designers across the Arab world. He is the founder of Tarek Atrissi Design (www.atrissi.com), a design studio based in Barcelona and with offices in The Netherlands. The studio’s typographic and cross-cultural design approach has produced projects that have left a significant influence on the contemporary graphic design landscape in the Middle East, gaining Atrissi international recognition. Tarek Atrissi’s awards include the prestigious German Design Award, the D&AD Award, the Type Directors Club New York (TDC) Awards, the Adobe Design Achievement Awards, and the Brand Impact Awards, among others. He was listed in 2017 as one of the 100 most influential Lebanese professional figures around the globe. Early in his career, in 2005, he was selected for Print Magazine’s “Twenty under Thirty,” an international review of the most accomplished visual artists under the age of 30.

Born in 1365 (1986) | Shiraz Bachelor's in Graphic Design | Non-profit Shiraz Art University Typographer and Typeface Designer Philosophy Typeface Design | 1400 (2021) Telegraph Typeface Design | 1401 (2022) Gramophone Typeface Design | 1402 (2023

Ahmadreza Rahimi, born in 1987, is a graphic design graduate. His main activities are in the fields of logotype design, typography, and calligraphy, and he is also active in the field of calligraphic painting. Ahmadreza Rahimi has been awarded in more than 10 national and international festivals

Branding & Type Designer based in Cairo. I help Arabic brands thrive by embracing their identity to better connect with their audience. My passion for logo design and Arabic calligraphy began in August 2013. After graduating from the Faculty of Science, Biochemistry Department at ASU in 2016, I honed valuable skills like research, critical thinking, and problem-solving, which have greatly supported my career. With over a decade of experience, I offer unique, impactful, and aesthetic branding solutions that elevate Arabic culture. And ultimately, I hope to live in a world where we truly embrace who we are.

Founded by Neil Summerour in 2000. A trained designer, lettering artist, and calligrapher, Summerour established Positype to accentuate the craft behind producing typefaces. The subtleties of mass, perfect imperfections, warmth, and uniqueness are foundational tenets to developing the foundry’s commercial offerings with the ultimate goal of producing useful and reliable fonts.

Protype is an independent type foundry and a place to explore beautifully typefaces that are made with love.

Babelfont is an independent type foundry in Paris and Marrakech. We design multiscript typefaces — Arabic, Latin, Tifinagh, and Korean. Our goal is simple: connect cultures through letterforms.
 The language of the future is multiscript.

Al Mohtaraf is a multi-disciplinary design house that offers a diverse and impressive experience in editorial design, branding and corporate identities, Arabic type design, print publications and space design from offices in Jeddah, Riyadh, Khobar and Beirut. We are one of the few specialized graphic design houses in the region. From a culture so rich in graphic tradition, Al Mohtaraf’s vision is to carry the seeds of tradition into the contemporary cultural scene of the Arab world.

We specialise in letters in a broad sense, from type design to lettering, from Latin to Arabic, passing through other scripts such as Armenian, Cyrillic, Georgian, Greek, Hebrew and Thai. We are surrounded by a network of bright collaborators and consultants in order to ensure the best possible quality. Our work has been recognised internationally in several type competitions such us TDC, ED-Awards, Morisawa, Granshan, Modern Cyrillic and Horouf.