The Arabic Type Design Archive

Kourosh Beigpour is an award-winning graphic artist and designer originally from Kermanshah, Iran, now based in Los Angeles. His distinctive design approach fuses contemporary and traditional influences, earning him recognition worldwide, with his works being published in over 20 countries. Beigpour has collaborated with prestigious clients, including Google, The Broad, The J. Paul Getty Museum, UCI, UCLA, NEIU, OSU, Canada Type, the Powerhouse Museum, DoppelHouse Press, and The Samuel Jordan Center for Persian Studies and Culture. His work is also part of the permanent collection at LACMA (Los Angeles County Museum of Art). He founded K-B Studio in 2011 and has recently completed a fellowship at Stanford University, where he focused on advanced research and projects in type design. Beigpour holds a BFA from Tehran University of Art and an MFA from Limkokwing University in Malaysia. He also graduated from Type West in San Francisco with a Postgraduate program in Type Design. Deeply influenced by his Kurdish heritage and mysticism, these cultural elements are integral to his design philosophy. Kourosh continues to innovate in typography, weaving spiritual and mystic influences into his creative work.

Majid Halakooi is a graphic designer and instructor. For couple of years, he has been pursuing design in the field of Persian typography.

A lettering, type and graphic designer. Having grown up between Dubai and Beirut, and being raised in an Armenian family, Khajag has an affinity for different languages and writing systems, which he has applied to the development of typefaces in many scripts, including Arabic, Armenian, and Latin. He designed Arek, a typeface that was awarded the Grand Prize at Granshan 2010 Eastern Type Design Competition, and was among the winners of Letter.2, the second international type design competition organized by the Association Typographique Internationale. He currently operates under the name debakir, Armenian for printed type, and teaches design courses at the American University of Beirut.

Born in 1962, I am a type designer based in Barcelona and Son (Alt Àneu). I design retail and custom typefaces at typerepublic and I have been awarded with several Excellence in Type Design for my type design work. I am a member of AGI (Alliance Graphique Internationale) and ATypI (Association Typographique Internationale). I hold a PhD in Design from the University of Southampton (UK) and teach typography and type design at EINA, University School of Design and Art, in Barcelona. Apart from these type affairs, I also love hiking and riding on my mountain bike.

A graphic designer and typeface designer, graduated from the Faculty of Fine Arts, University of Tehran, and studied at the Boys' Fine Arts Conservatory. He has been working as a designer since 1400 in Hamzeh, Olgoo, and A4 Design House, and has been working in the fields of graphic design, visual identity design, branding, motion graphics, and 3D modeling. His interest in typeface design initially manifested itself in typographic works, and eventually entered the field of font design with the design of the "Hafez" font. The "Hafez" font was also praised as a work worthy of appreciation in the second Tehran Typing Week.

A global type design studio that offers high-quality typefaces for retail licensing and custom client projects.

Mestara which is a measurement tool means the “ruler” symbolizes our precision, we are a type foundry specialized in creating and designing Arabic typefaces. Founded by a professional calligrapher and designer, Mestara aims to reflect the beauty, and modernity while respecting traditional calligraphic principles.

Monotype Fonts transforms the way modern brands work by making font licensing and management simple, secure, and scalable across teams.

Our names are Sahar Afshar and José Solé, and we are partners in life and in Dogray, a type foundry based in the south of London. We met in 2017 in a type conference⁠—⁠here’s to our dearly departed TypoLabs Berlin⁠🍻⁠—⁠and hit it off (we actually met in 2015 at our friend Kalapi’s wedding in India, but that’s a story for another time). After working in a large type design studio for some years, we decided to leave the safety of our full time jobs and get back to what brought us to making fonts in the first place; the joy of creative decision making in the design of typefaces, and reconnecting with the wider design community. We started Dogray Type Foundry to do just that; to enjoy designing fonts we feel will be useful, and bring fun back into our careers. Very importantly, we wanted to embrace collaboration over competition; we center co‑creating at the heart of our foundry⁠—⁠not just in combining our individual strengths and skills, but also by using each of our library fonts as an opportunity to collaborate with a different creative from the wider fields of Arts and Humanities. We do this because of our fundamental belief; that best work happens when unique and diverse perspectives collide.

Alef Type Foundry is a small typeface design studio based in Paris, France. We are specialized in Arabic and matchmaking type design.