The Arabic Type Design Archive
Find the perfect font for your next project
Designers
The creative minds behind your favorite fonts

from Tripoli, Lebanon but I live in Barcelona, Spain. I have been working as a graphic designer since 2007 and as a type designer since 2012. specialized in — Arabic & Latin Logo Matchmaking — Arabic & Latin Branding — Arabic & Latin Type Design

Typographer, Logotype & Typeface Design Instructor • Design Irancell, Tehran Book Garden, Leila, Ravi, Abar & Paykan • Design MyBaby, Alibaba, Ayandeh Bank, Fanoos (Hamkaran System), Inverse School, Bonyade Koodak & InshapeBody typefaces in collaboration with Mahdi Ershadi • Design MIKA, Vazeh quranic typefaces, Dabestan & Ray typefaces in collaboration with Omid Emamian • Design Doran typeface in collaboration with Fereshteh Iranshahi • Design Yekan Bakh typeface (Redesigning Yekan Typeface) in collaboration with Mahan Jafarzadeh • Design Novin Web typeface (Redesigning Novin Typeface designed by Hirbod Lotfian) • Design Nian typeface in collaboration with Afsaneh Salek Notable Achievements • 3rd Place and Honorable Diploma - GRANSHAN Type Design Competition. • Grand Prize - Silk Road Biennial for Typeface Design. • TDC Typographic Excellence (2018) - Vazeh UI Quranic Typeface. • TDC Typographic Excellence (2018) - Ray Typeface. • TDC Typographic Excellence (2019) - Vazeh Classic Quranic Typeface.

Holds a bachelor's degree in software engineering. Shahrzad has experience in programming with various languages and has also been involved in content creation and design for several startups. After becoming acquainted with "font development" as a tool to combine art and the science of programming, she developed an interest in this field and has been actively engaged in it.

Master of visual communication, member of the Iranian Graphic Designers Association, teacher and researcher of Persian type design Received an honorary diploma of Sarve Noghreh in 1992 Received the first title of Persian type design, Behance Received the honorable title at the 12th Granshan International Biennale Speaker of ATYPI, Typewknd, Design principle & practices conferences, UX Shiraz, Side section of Sarve Noghreh, Author of scientific and research articles: -Comparative study of Tahoma font and structural principles of Persian font, Journal of Honar-haye-ziba-Visual Arts. - Investigating the factors affecting the readability and optimization of types in the field of printing and publishing based on the habit and taste of the audience, Honar-haye-ziba -Visual Arts Journal.

I have a degree in Graphic Design and have been a member of the Iranian Graphic Designers Society (since 1987). I am involved in typeface design, font development, and logotype design. I have publicly released the Potk and Borna fonts, and I designed the Ayandeh, Ali Baba, Bonyad Koodak, Fanoos, and Inverse fonts in collaboration with Reza Bakhtiari Fard. The design and creation of the Kamand font in collaboration with Omid Emamian, as well as the development of the Valman font, are among my latest activities. I have held various workshops and courses in the field of typography, and I received the third Grand Prize at the 2021-2022 Granshan competition in Armenia for the Ali Baba font and a special award for the Potk font.
Foundries
The world’s leading type foundries

A leading and established boutique type foundry known for creating fonts that are distinctively human and full of character.

Established in 2001 in the heart of Florence by Cosimo Lorenzo Pancini, Francesco Canovaro and Debora Manetti. Powered by a team of Branding and Design veterans, the Italian foundry stands out for a prolific portfolio of contemporary type-families and revival fonts.

Boharat is a type foundry that aims to introduce new flavors to the Arabic design scene. Boharat Cairo offers remarkable retail fonts, and accepts custom and bespoke fonts and typography related projects.

This is KO-type. The move you probably anticipated, that will knock all free font-haters out of their chairs. That was a joke. Kotype is a community dedicated to the love of Arabic fonts. Whether it’s appreciation, creation, or simply usage, we are all connected by the love of Arabic Fonts, just like our love for the Arabic language.

Parachute® is a European type foundry and design agency founded in 2001, specializing in bespoke type design, corporate typefaces, and lettering for global brands.
















