The Arabic Type Design Archive
Find the perfect font for your next project
Designers
The creative minds behind your favorite fonts

He has MA in visual communication. Since 1999, he has worked as a graphic designer with various magazines and publications, such as "Parian Publications, Donya-e Eqtesad Publications, Zanbour Publications, Porteghal Publications, Safir Publications, Saipa Andisheh Gostar Monthly, etc."

Hassan Karimzadeh is a prolific visual artist and art director, with his main focus over the last three decades being cultural graphic design and cartooning. He has been a key member of various international journalism and arts associations. Throughout his artistic career, Hassan has earned numerous titles, honors, and prestigious awards. He has maintained ongoing collaborations with both domestic and foreign journals and publishing houses for several decades. Currently, he serves as the director of Hich Graphic Studio and the artistic director of Tash Publishing and Ghahveh Pictorial Monthly.

Lebanese-Dutch Tarek Atrissi is one of the most recognized designers across the Arab world. He is the founder of Tarek Atrissi Design (www.atrissi.com), a design studio based in Barcelona and with offices in The Netherlands. The studio’s typographic and cross-cultural design approach has produced projects that have left a significant influence on the contemporary graphic design landscape in the Middle East, gaining Atrissi international recognition. Tarek Atrissi’s awards include the prestigious German Design Award, the D&AD Award, the Type Directors Club New York (TDC) Awards, the Adobe Design Achievement Awards, and the Brand Impact Awards, among others. He was listed in 2017 as one of the 100 most influential Lebanese professional figures around the globe. Early in his career, in 2005, he was selected for Print Magazine’s “Twenty under Thirty,” an international review of the most accomplished visual artists under the age of 30.

Type and Graphic designer BA & MA in Graphic Design from Soore University Collaboration in the design, optimization, and development of the Vartan typeface, Mashq Studio.

Omaima Dajani is a graphic and type designer from Jerusalem, specializing in Arabic script. She holds a Bachelor’s degree in Visual Communication and a Diploma in Art and Design Education from Jerusalem, as well as a Master’s degree in Type Design from the Royal Academy of Art in the Netherlands. Omaima has collaborated with leading type foundries and is the award-winning designer of the typeface Lifta. She has also served as a judge in both local and international type and design competitions. With experience in teaching, she is also a lead researcher at the Arabic Design Archive (ADA) and the founder of Palestine Type Walks.
Foundries
The world’s leading type foundries

TNTypography in Paris, and specializes in Arabic typeface design, typography and custom type. A 2006 graduate in the Master of Arts Typeface Design programme at the Department of Typography and Visual Communication, University of Reading, he also studied Arabic script at the École Supérier d'Art et de Design d'Amiens, France. Titus holds a PhD in Typography & Graphic Communication from the University of Reading, UK.
The Northern Block is an independent type foundry internationally recognised for producing modernist fonts for brands, creatives and makers.

We specialise in letters in a broad sense, from type design to lettering, from Latin to Arabic, passing through other scripts such as Armenian, Cyrillic, Georgian, Greek, Hebrew and Thai. We are surrounded by a network of bright collaborators and consultants in order to ensure the best possible quality. Our work has been recognised internationally in several type competitions such us TDC, ED-Awards, Morisawa, Granshan, Modern Cyrillic and Horouf.

A global type design studio that offers high-quality typefaces for retail licensing and custom client projects.
Abjad aspires to develop and transfer the Arabic typography, to the same level, that was reached by Arab and Muslim calligraphers, who came from very diverse cities and civilizations, extending from Samarkand and China in the east, to Andalusia in the west. This diversity has produced countless forms and schools of Arabic calligraphy.
















