The Arabic Type Design Archive

A graphic designer and type designer. Born in 2006, he has been professionally engaged in Persian type design since 2022. In his early years, his focus was on graphic design, but gradually, with a deeper involvement in typeface design, he shaped his professional path. He is the designer of the free fonts Rooyin, Sorena, and Estedad Mad, which reflect his approach to simplicity, readability, and the contemporary needs of Persian typography.

Masters in Type Design at the University of Reading in 2016 and joined us as a fully fledged Lazydog in 2020. Kat has worked as a typographer and graphic designer before she went on to study type design at the University of Reading in 2015/16. She not only works as a type designer and design director, but also teaches typography at the DIPLOMA University of Applied Sciences and has been part of numerous design conference teams (Granshan, EDCH, Dynamic Font Day). As a graduate of the MATD she brings an international approach and outlook to our company. Besides a love of letters with diacritics she is interested in writing systems beyond Latin, particularly Cyrillic and Arabic – and she is officially responsible for our Lazydogs’ Capital Eszett glyphs. In addition to those official duties, the freshest kat in our dog house also entertains us with type designers’ gossip from the social media realm and the hottest stories from Munich’s graphic design scene.

A graphic designer and typeface designer, graduated from the Faculty of Fine Arts, University of Tehran, and studied at the Boys' Fine Arts Conservatory. He has been working as a designer since 1400 in Hamzeh, Olgoo, and A4 Design House, and has been working in the fields of graphic design, visual identity design, branding, motion graphics, and 3D modeling. His interest in typeface design initially manifested itself in typographic works, and eventually entered the field of font design with the design of the "Hafez" font. The "Hafez" font was also praised as a work worthy of appreciation in the second Tehran Typing Week.

An awarded design director and type designer hailing from Egypt and currently based in Dubai. Drawing inspiration from the rich tapestry of Cairo, my designs bridge modern trends and timeless traditions. My love for design was deepened through my experiences in branding. With my project 'Boharat', I've aimed to bring fresh perspectives to Arabic typography. My work has been adopted by a diverse range of clients, from industry giants like Nike to local businesses. It's gratifying to see my designs in various platforms, from music videos to books. Along the way, I've had the honor of collaborating with renowned entities like Puma and the Museum of the Future.

Typographer, Logotype & Typeface Design Instructor • Design Irancell, Tehran Book Garden, Leila, Ravi, Abar & Paykan • Design MyBaby, Alibaba, Ayandeh Bank, Fanoos (Hamkaran System), Inverse School, Bonyade Koodak & InshapeBody typefaces in collaboration with Mahdi Ershadi • Design MIKA, Vazeh quranic typefaces, Dabestan & Ray typefaces in collaboration with Omid Emamian • Design Doran typeface in collaboration with Fereshteh Iranshahi • Design Yekan Bakh typeface (Redesigning Yekan Typeface) in collaboration with Mahan Jafarzadeh • Design Novin Web typeface (Redesigning Novin Typeface designed by Hirbod Lotfian) • Design Nian typeface in collaboration with Afsaneh Salek Notable Achievements • 3rd Place and Honorable Diploma - GRANSHAN Type Design Competition. • Grand Prize - Silk Road Biennial for Typeface Design. • TDC Typographic Excellence (2018) - Vazeh UI Quranic Typeface. • TDC Typographic Excellence (2018) - Ray Typeface. • TDC Typographic Excellence (2019) - Vazeh Classic Quranic Typeface.

Canada Type is an independent digital lettering and font development studio based in Toronto. We were founded in 2004 by a couple of experienced designers who were not pleased with the quality and licensing terms of fonts around the turn of the century. Since then we have greatly expanded, built a versatile and popular retail catalogue, and helped many designers bring international attention to their talents in the constantly changing and increasingly competitive world of type design.

Founded in 2009, the Indian Type Foundry (ITF) designs and distributes fine-quality multilingual fonts for both Indian and global markets.

Monocotype is an independent type foundry based in Jakarta, Indonesia, specializing in retail and custom fonts that support multilingual typography. We design typefaces for Latin, Arabic, Korean, Thai, and other scripts, with a strong focus on clarity, cultural relevance, and cross-language usability.Our catalog includes everything from modern display fonts to technical single-line typefaces optimized for CNC, laser, and plotter use.Founded by Abdurrahman Hanif, Monocotype combines design precision with practical licensing, making our fonts suitable for brands, publishers, and creators worldwide.Discover more at monocotype.com or follow our updates on Instagram @monocotype.

Foundry5 is a type foundry dedicated to the design and production of fonts for diverse world scripts. Established by Kostas Bartsokas, Mohamad Dakak, Jason Harcombe, and Pria Ravichandran, the foundry was born out of a shared passion for typography and a deep respect for the cultural significance of each writing system.

TNTypography in Paris, and specializes in Arabic typeface design, typography and custom type. A 2006 graduate in the Master of Arts Typeface Design programme at the Department of Typography and Visual Communication, University of Reading, he also studied Arabic script at the École Supérier d'Art et de Design d'Amiens, France. Titus holds a PhD in Typography & Graphic Communication from the University of Reading, UK.