The Arabic Type Design Archive

My journey in type design and typography goes beyond a mere fascination with the artistic form. It is driven by a profound exploration of how these shapes interact with essential human activities such as reading and information processing. I believe that the right typography can enhance the communication experience, making it more accessible, engaging, and meaningful. Throughout my career, I have honed my skills in crafting beautiful and functional typefaces that capture the essence of the Arabic script. I am proficient in utilizing cutting-edge design software and techniques to create visually striking and technically precise type designs. Collaboration is at the heart of my creative process. I enjoy working closely with clients, fellow designers, and experts in the field to understand their unique requirements and deliver tailored solutions that exceed expectations. Whether it’s designing custom typefaces for branding projects or creating legible and harmonious fonts for publications, I am committed to delivering exceptional results that align with the vision and purpose of each project. As a lifelong learner, I stay updated with the latest trends, research, and advancements in the field of typography. I actively participate in workshops, conferences, and online communities to expand my knowledge and skills, ensuring that my work reflects the highest standards of quality and innovation. Academic Education: -Master of visual art in graphic design, reading type & typography. PXL-Mad university of college arts & media, Hasselt, Belgium, 2021-2023. -Master of science in visual communication. Azad university science, research and technology branch, Tehran, Iran, 2019. -Bachelor of visual communication. Enghelab technical college, Tehran, Iran, 2014. -Associate degree in graphic design. Enghelab technical college, Tehran, Iran, 2010. -Diploma in graphic design. Hamedan technical highschool of fine arts, Iran, 2006.

Ahmed Abo Elhassan, a brand designer and lettering artist with 10 years of experience in brand identity, logotype, and lettering. Specializing in Arabic visual branding and the use of Arabic calligraphy in creative and contemporary styles. Passionate about creating visually-compelling designs that effectively communicate brand messages and values.

He is an award-winning typeface designer whose work spans multiple scripts and design cultures. His path to type was anything but linear – having gone from juggling and organising concerts to working in visual communication, graphic design, illustration, web design, packaging, and animation. He finally chose to pursue his passion with typography. Kostas graduated the MA in Typeface Design from the University of Reading with distinction and held a senior designer role at URW Typefoundry, before becoming one part of Foundry 5 in 2021. He enjoys innovative explorations in Latin, Greek, Cyrillic, and Arabic type design, and spends his time designing original typefaces, expanding script support of existing ones, and offering consultation for designers and type foundries such as Google Fonts, TypeTogether, and NaN. He has received acclaimed awards and recognitions for his work by the Type Directors Club, Granshan, EdAwards, EVGE, and Communication Arts, and he has served as a juror for both TDC and Granshan competitions. Among his most notable works is Averta, named one of the top 100 most-used web fonts. He co-designed Peridot Latin and Peridot PE, expansive families that support Latin, Greek, and Cyrillic scripts with over 120 styles, as well as other popular fonts such as Commissioner, Oi, Zona Pro, and Evert.

Parnian Kashfi, a graduate of graphic design, designed the Parnian font as a student project at the Moslem Ibrahim Typography Workshop.

Artiste Plasticien vivant et travaillant à Alger J'ai été tour à tour étudiant puis enseignant à l’Ecole Supérieure des Beaux-arts d’Alger, j'expose depuis une vingtaine d'années en Algérie et à l’étranger, j'exerce aussi en tant que graphiste au sein du quotidien El Watan. Je me suis spécialisé en typographie Mon parcours pluridisciplinaire me permet aujourd'hui e d'aller vers de nouveaux horizons, je me propose donc de créer pour vous des typographies ainsi que vos identités visuelles

Arillatype.Studio® is a type design studio exploring the intersection of creativity, craft and technology. We design contemporary retail typefaces and charismatic custom fonts.

Alif Type the online home for my, Khaled Hosny, typefaces. It is a virtual type foundry, in the sense that there no physical place, a company, or employees, it is just me doing things I love mostly in my spare time. My typefaces are all free, and open source.

Al Mohtaraf is a multi-disciplinary design house that offers a diverse and impressive experience in editorial design, branding and corporate identities, Arabic type design, print publications and space design from offices in Jeddah, Riyadh, Khobar and Beirut. We are one of the few specialized graphic design houses in the region. From a culture so rich in graphic tradition, Al Mohtaraf’s vision is to carry the seeds of tradition into the contemporary cultural scene of the Arab world.

Our names are Sahar Afshar and José Solé, and we are partners in life and in Dogray, a type foundry based in the south of London. We met in 2017 in a type conference⁠—⁠here’s to our dearly departed TypoLabs Berlin⁠🍻⁠—⁠and hit it off (we actually met in 2015 at our friend Kalapi’s wedding in India, but that’s a story for another time). After working in a large type design studio for some years, we decided to leave the safety of our full time jobs and get back to what brought us to making fonts in the first place; the joy of creative decision making in the design of typefaces, and reconnecting with the wider design community. We started Dogray Type Foundry to do just that; to enjoy designing fonts we feel will be useful, and bring fun back into our careers. Very importantly, we wanted to embrace collaboration over competition; we center co‑creating at the heart of our foundry⁠—⁠not just in combining our individual strengths and skills, but also by using each of our library fonts as an opportunity to collaborate with a different creative from the wider fields of Arts and Humanities. We do this because of our fundamental belief; that best work happens when unique and diverse perspectives collide.

At Manchester Type, each project begins with research. Every typeface they develop is pushed along by passion and curiosity. Their fonts are often informed by the history of letterforms and always aimed at contributing to today’s type-culture.