The Arabic Type Design Archive

He is an award-winning typeface designer whose work spans multiple scripts and design cultures. His path to type was anything but linear – having gone from juggling and organising concerts to working in visual communication, graphic design, illustration, web design, packaging, and animation. He finally chose to pursue his passion with typography. Kostas graduated the MA in Typeface Design from the University of Reading with distinction and held a senior designer role at URW Typefoundry, before becoming one part of Foundry 5 in 2021. He enjoys innovative explorations in Latin, Greek, Cyrillic, and Arabic type design, and spends his time designing original typefaces, expanding script support of existing ones, and offering consultation for designers and type foundries such as Google Fonts, TypeTogether, and NaN. He has received acclaimed awards and recognitions for his work by the Type Directors Club, Granshan, EdAwards, EVGE, and Communication Arts, and he has served as a juror for both TDC and Granshan competitions. Among his most notable works is Averta, named one of the top 100 most-used web fonts. He co-designed Peridot Latin and Peridot PE, expansive families that support Latin, Greek, and Cyrillic scripts with over 120 styles, as well as other popular fonts such as Commissioner, Oi, Zona Pro, and Evert.

An award-winning Syrian type designer. He is the principal and founder of Sakkal Design, based in the US. He started professionally as an architect and graphic designer but has been a full-time designer of Arabic fonts since 2002. He holds a PhD from the University of Washington in the History of Islamic Art. He collaborates with many type foundries and corporations, and his awards include 6 from TDC and Granshan competitions.

Lebanese-Dutch Tarek Atrissi is one of the most recognized designers across the Arab world. He is the founder of Tarek Atrissi Design (www.atrissi.com), a design studio based in Barcelona and with offices in The Netherlands. The studio’s typographic and cross-cultural design approach has produced projects that have left a significant influence on the contemporary graphic design landscape in the Middle East, gaining Atrissi international recognition. Tarek Atrissi’s awards include the prestigious German Design Award, the D&AD Award, the Type Directors Club New York (TDC) Awards, the Adobe Design Achievement Awards, and the Brand Impact Awards, among others. He was listed in 2017 as one of the 100 most influential Lebanese professional figures around the globe. Early in his career, in 2005, he was selected for Print Magazine’s “Twenty under Thirty,” an international review of the most accomplished visual artists under the age of 30.

My journey in type design and typography goes beyond a mere fascination with the artistic form. It is driven by a profound exploration of how these shapes interact with essential human activities such as reading and information processing. I believe that the right typography can enhance the communication experience, making it more accessible, engaging, and meaningful. Throughout my career, I have honed my skills in crafting beautiful and functional typefaces that capture the essence of the Arabic script. I am proficient in utilizing cutting-edge design software and techniques to create visually striking and technically precise type designs. Collaboration is at the heart of my creative process. I enjoy working closely with clients, fellow designers, and experts in the field to understand their unique requirements and deliver tailored solutions that exceed expectations. Whether it’s designing custom typefaces for branding projects or creating legible and harmonious fonts for publications, I am committed to delivering exceptional results that align with the vision and purpose of each project. As a lifelong learner, I stay updated with the latest trends, research, and advancements in the field of typography. I actively participate in workshops, conferences, and online communities to expand my knowledge and skills, ensuring that my work reflects the highest standards of quality and innovation. Academic Education: -Master of visual art in graphic design, reading type & typography. PXL-Mad university of college arts & media, Hasselt, Belgium, 2021-2023. -Master of science in visual communication. Azad university science, research and technology branch, Tehran, Iran, 2019. -Bachelor of visual communication. Enghelab technical college, Tehran, Iran, 2014. -Associate degree in graphic design. Enghelab technical college, Tehran, Iran, 2010. -Diploma in graphic design. Hamedan technical highschool of fine arts, Iran, 2006.

You've probably heard the tired cliche about a picture being worth a thousand words. I've taken the opposite of this phrase quite literally and created Arabic fonts that could turn your words into stunning typographic masterpieces, each worth a thousand pictures!

Mestara which is a measurement tool means the “ruler” symbolizes our precision, we are a type foundry specialized in creating and designing Arabic typefaces. Founded by a professional calligrapher and designer, Mestara aims to reflect the beauty, and modernity while respecting traditional calligraphic principles.

Foundry5 is a type foundry dedicated to the design and production of fonts for diverse world scripts. Established by Kostas Bartsokas, Mohamad Dakak, Jason Harcombe, and Pria Ravichandran, the foundry was born out of a shared passion for typography and a deep respect for the cultural significance of each writing system.

This is KO-type. The move you probably anticipated, that will knock all free font-haters out of their chairs. That was a joke. Kotype is a community dedicated to the love of Arabic fonts. Whether it’s appreciation, creation, or simply usage, we are all connected by the love of Arabic Fonts, just like our love for the Arabic language.

We are a type foundry situated in the heart of Copenhagen, Denmark. For more than twenty years we have been making retail and custom-made typefaces for international brands.

Monotype Fonts transforms the way modern brands work by making font licensing and management simple, secure, and scalable across teams.