The Arabic Type Design Archive

Joe Hatem is a Lebanese type-designer (born 1961 in Hammana, Lebanon) who founded JH Fonts, a foundry producing Arabic, Latin, and multilingual fonts. After studying in the United States and working as a systems engineer, he turned to font design driven by his belief that many existing Arabic digital fonts lacked the authentic calligraphic feel.

A graphic designer, type designer, and calligrapher based in Zumaia (Spain). He has worked as a freelance graphic designer since 1997, and in 2013, he attained an MA in Typeface Design at the University of Reading. During the MA in Typeface Design, he developed Amaikha, a multi-script font family comprising Latin, Greek, Cyrillic, Arabic, and Tifinagh. Currently, he combines calligraphy classes and graphic design with typographic projects that focus on the Basque lettering style as well as multi-script typefaces involving the Latin, Arabic, and Tifinagh alphabets. He loves designing typefaces and maintains a healthy balance by rock-climbing.

Began his journey in type design through Persian graffiti. He holds a degree in Sculpture from the University of Tehran’s Faculty of Fine Arts and has collaborated with leading Tehran-based studios such as Kargah and A4 in designing custom typefaces.

Salam and welcome! I am Bandar (46 years) working on Graphic/Motion/Logo design since 1999 (24 years in the business) and working on Desktop, Web, and Mobile apps since 2007. Feel free to explore my previous work, and get an idea of the services that I provide as a UI/UX consultant and designer.

Born in 1996 Graphic Designer Typographer Logo & Visual Identity Designer Founder of Hadaf Design and Printing Institute • Designer of Lahzeh Font • Designer of Valman Font

A global type design studio that offers high-quality typefaces for retail licensing and custom client projects.

Abjad aspires to develop and transfer the Arabic typography, to the same level, that was reached by Arab and Muslim calligraphers, who came from very diverse cities and civilizations, extending from Samarkand and China in the east, to Andalusia in the west. This diversity has produced countless forms and schools of Arabic calligraphy.

Our names are Sahar Afshar and José Solé, and we are partners in life and in Dogray, a type foundry based in the south of London. We met in 2017 in a type conference⁠—⁠here’s to our dearly departed TypoLabs Berlin⁠🍻⁠—⁠and hit it off (we actually met in 2015 at our friend Kalapi’s wedding in India, but that’s a story for another time). After working in a large type design studio for some years, we decided to leave the safety of our full time jobs and get back to what brought us to making fonts in the first place; the joy of creative decision making in the design of typefaces, and reconnecting with the wider design community. We started Dogray Type Foundry to do just that; to enjoy designing fonts we feel will be useful, and bring fun back into our careers. Very importantly, we wanted to embrace collaboration over competition; we center co‑creating at the heart of our foundry⁠—⁠not just in combining our individual strengths and skills, but also by using each of our library fonts as an opportunity to collaborate with a different creative from the wider fields of Arts and Humanities. We do this because of our fundamental belief; that best work happens when unique and diverse perspectives collide.

A type foundry and design studio specifically focused on developing high quality Arabic typefaces. It is the result of a collaboration that started in 2011 between Kristyan Sarkis and Peter Bilak of Typotheque.

Colophon Foundry is an award-winning international type foundry, based in London and Los Angeles, that designs and publishes high-quality retail and custom typefaces. The foundry is known for creating both historically-rooted and contemporary fonts, and for its custom work with major brands like Burger King and Cadillac.