The Arabic Type Design Archive

A graphic designer, type designer, and calligrapher based in Zumaia (Spain). He has worked as a freelance graphic designer since 1997, and in 2013, he attained an MA in Typeface Design at the University of Reading. During the MA in Typeface Design, he developed Amaikha, a multi-script font family comprising Latin, Greek, Cyrillic, Arabic, and Tifinagh. Currently, he combines calligraphy classes and graphic design with typographic projects that focus on the Basque lettering style as well as multi-script typefaces involving the Latin, Arabic, and Tifinagh alphabets. He loves designing typefaces and maintains a healthy balance by rock-climbing.

Vitória Neves is a letterer and type designer from Portugal. Vitória has a background in German, English and Spanish Literature and Languages studies. She decided to quit her career in teaching to pursue her childhood passion for letters. After creating some logos and lettering for clients, Vitória adventured herself in creating typefaces, since she believes this to be the ultimate level of dedication to letterforms. Her main focus resides in script typefaces.

Ahmed Abo Elhassan, a brand designer and lettering artist with 10 years of experience in brand identity, logotype, and lettering. Specializing in Arabic visual branding and the use of Arabic calligraphy in creative and contemporary styles. Passionate about creating visually-compelling designs that effectively communicate brand messages and values.

An award-winning Syrian type designer. He is the principal and founder of Sakkal Design, based in the US. He started professionally as an architect and graphic designer but has been a full-time designer of Arabic fonts since 2002. He holds a PhD from the University of Washington in the History of Islamic Art. He collaborates with many type foundries and corporations, and his awards include 6 from TDC and Granshan competitions.

Branding & Type Designer based in Cairo. I help Arabic brands thrive by embracing their identity to better connect with their audience. My passion for logo design and Arabic calligraphy began in August 2013. After graduating from the Faculty of Science, Biochemistry Department at ASU in 2016, I honed valuable skills like research, critical thinking, and problem-solving, which have greatly supported my career. With over a decade of experience, I offer unique, impactful, and aesthetic branding solutions that elevate Arabic culture. And ultimately, I hope to live in a world where we truly embrace who we are.

A typeface design studio and font distributor that addresses the needs of global typography. Together with our collaborators, we create original fonts for a polyphonic world. Our research-based practice has been recognized and received awards from within the industry. But most importantly it has enabled people to read better in their native language.

Founded in 2018, Original Type sets out to produce and publish original, contemporary typefaces, both retail and custom, that enable creatives and brands express themselves in an authentic way.

TSfonts type studio was founded by Tarek Alsawwa in 2019 and is based in Istanbul, Turkey. We have developed a strong library of beautiful fonts, which we own and license to designers, advertisers, and brands. We're constantly crafting and adding new fonts to keep our body of work fresh and relevant.

We specialise in letters in a broad sense, from type design to lettering, from Latin to Arabic, passing through other scripts such as Armenian, Cyrillic, Georgian, Greek, Hebrew and Thai. We are surrounded by a network of bright collaborators and consultants in order to ensure the best possible quality. Our work has been recognised internationally in several type competitions such us TDC, ED-Awards, Morisawa, Granshan, Modern Cyrillic and Horouf.

Our names are Sahar Afshar and José Solé, and we are partners in life and in Dogray, a type foundry based in the south of London. We met in 2017 in a type conference⁠—⁠here’s to our dearly departed TypoLabs Berlin⁠🍻⁠—⁠and hit it off (we actually met in 2015 at our friend Kalapi’s wedding in India, but that’s a story for another time). After working in a large type design studio for some years, we decided to leave the safety of our full time jobs and get back to what brought us to making fonts in the first place; the joy of creative decision making in the design of typefaces, and reconnecting with the wider design community. We started Dogray Type Foundry to do just that; to enjoy designing fonts we feel will be useful, and bring fun back into our careers. Very importantly, we wanted to embrace collaboration over competition; we center co‑creating at the heart of our foundry⁠—⁠not just in combining our individual strengths and skills, but also by using each of our library fonts as an opportunity to collaborate with a different creative from the wider fields of Arts and Humanities. We do this because of our fundamental belief; that best work happens when unique and diverse perspectives collide.