The Arabic Type Design Archive

He holds a Bachelor's and Master's degree in Graphic Design from the University of Tehran. He completed type design courses under the supervision of Sedaghat Jabari and Masoud Sepehr at the university, while also attending independent workshops at Vije School with Damoon KhanjanZadeh. He has collaborated closely with various studios, including Kargah Studio, Sepehr Studio, Daftar Studio, and Markazi Studio, in type design and font development. His released typeface families include the exclusive typeface family for Saman Bank, the Royasamin font family, and the Roudaki font family for the Roudaki Foundation.

A type designer and multidisciplinary artist. In 2014 he launched his own type foundry under the name Abjad. In 2020 he launched his own concept store, inspired by Arabic Calligraphy, and the diversity of the visual culture that spread across Islamic lands. He also co-founded the social design initiative Wajha in 2012.

With over 15 years of experience in graphic design and typeface creation, he has designed several fonts, including Farhoud, Capsule, Ostad, and Melli.

Recipient of the Excellence in Typography award from Type Directors Club. Designer and developer of the Wall Script plugin for Glyphs software.

Branding & Type Designer based in Cairo. I help Arabic brands thrive by embracing their identity to better connect with their audience. My passion for logo design and Arabic calligraphy began in August 2013. After graduating from the Faculty of Science, Biochemistry Department at ASU in 2016, I honed valuable skills like research, critical thinking, and problem-solving, which have greatly supported my career. With over a decade of experience, I offer unique, impactful, and aesthetic branding solutions that elevate Arabic culture. And ultimately, I hope to live in a world where we truly embrace who we are.

Abjad aspires to develop and transfer the Arabic typography, to the same level, that was reached by Arab and Muslim calligraphers, who came from very diverse cities and civilizations, extending from Samarkand and China in the east, to Andalusia in the west. This diversity has produced countless forms and schools of Arabic calligraphy.

NamelaType is a type foundry based in Magelang, Indonesia operated by Nur Syamsi and Bustanul Arifin. Passionate about harmonizing Latin and Arabic fonts, we aim to create innovative solutions that align their weight, shape, and style—despite their opposite flows—while exceeding our own and our readers’ expectations.

Alif Type the online home for my, Khaled Hosny, typefaces. It is a virtual type foundry, in the sense that there no physical place, a company, or employees, it is just me doing things I love mostly in my spare time. My typefaces are all free, and open source.

A global type design studio that offers high-quality typefaces for retail licensing and custom client projects.

We specialise in letters in a broad sense, from type design to lettering, from Latin to Arabic, passing through other scripts such as Armenian, Cyrillic, Georgian, Greek, Hebrew and Thai. We are surrounded by a network of bright collaborators and consultants in order to ensure the best possible quality. Our work has been recognised internationally in several type competitions such us TDC, ED-Awards, Morisawa, Granshan, Modern Cyrillic and Horouf.