The Arabic Type Design Archive

A graphic design graduate who has been working professionally since 2005. He has collaborated with leading graphic design studios in Tehran for years and strives to bring a fresh perspective to type and typography—balancing readability, modernity, and innovation.

I have a degree in Graphic Design and have been a member of the Iranian Graphic Designers Society (since 1987). I am involved in typeface design, font development, and logotype design. I have publicly released the Potk and Borna fonts, and I designed the Ayandeh, Ali Baba, Bonyad Koodak, Fanoos, and Inverse fonts in collaboration with Reza Bakhtiari Fard. The design and creation of the Kamand font in collaboration with Omid Emamian, as well as the development of the Valman font, are among my latest activities. I have held various workshops and courses in the field of typography, and I received the third Grand Prize at the 2021-2022 Granshan competition in Armenia for the Ali Baba font and a special award for the Potk font.

A type designer and typographer. His internationally recognized practice spans commercial and cultural work, with a focus on Arabic and multilingual design. Titus’s interests and activities extend to academic research and teaching in higher education: His monograph Arabic Type-Making in the Machine Age was published with Brill in 2017, and he has taught type design and typography at schools in Austria, France, Morocco, Qatar, and the UK.

Hello, I am Ethar (pronounced Ee-thar), a visual and type designer with a passion for typography, motion, and digital design. I've been teaching myself Arabic type design, as I enjoy exploring the potential of digital type. Recently, I have started blogging to document my journey in design, with the hope of contributing to the enrichment of design resources in Arabic.

You've probably heard the tired cliche about a picture being worth a thousand words. I've taken the opposite of this phrase quite literally and created Arabic fonts that could turn your words into stunning typographic masterpieces, each worth a thousand pictures!

Monocotype is an independent type foundry based in Jakarta, Indonesia, specializing in retail and custom fonts that support multilingual typography. We design typefaces for Latin, Arabic, Korean, Thai, and other scripts, with a strong focus on clarity, cultural relevance, and cross-language usability.Our catalog includes everything from modern display fonts to technical single-line typefaces optimized for CNC, laser, and plotter use.Founded by Abdurrahman Hanif, Monocotype combines design precision with practical licensing, making our fonts suitable for brands, publishers, and creators worldwide.Discover more at monocotype.com or follow our updates on Instagram @monocotype.

Alef Type Foundry is a small typeface design studio based in Paris, France. We are specialized in Arabic and matchmaking type design.

Founded in 2018, Original Type sets out to produce and publish original, contemporary typefaces, both retail and custom, that enable creatives and brands express themselves in an authentic way.

Babelfont is an independent type foundry in Paris and Marrakech. We design multiscript typefaces — Arabic, Latin, Tifinagh, and Korean. Our goal is simple: connect cultures through letterforms.
 The language of the future is multiscript.

Through our unique, diverse, curated font platform, TypeTogether creates innovative and stylish solutions to the greatest problems in the professional typography market worldwide.