The Arabic Type Design Archive

Specializing in brand development and strategy, from conception to final implementation. I have approximately 12 years of experience in graphic design and art direction, during which I have worked for government entities, marketing agencies, and branding agencies. I have also provided consulting services to various entities and companies.

Born in Teheran. After completing his school education in Iran,he studied illustration and book design at the Hochschule für Gestaltung (HfG), an academy of design, in Offenbach, Germany. Thereafter he was engaged as art director in various advertising agencies in Germany, Switzerland and England. He also worked as a freelance graphic designer with focus on illustration and brand designing for leading producers of brand articles in Europe, and also for broadcasting stations in Germany and other European countries. He was occupied with theoretical work in the field of color and research in the passive perception of color and "after image" phenomena. He carried out an analysis of the letters of the Arabic alphabet and a definition of their structure, enabling him to design a number of modern types of Arabic script. The publication of the illustrated quatrains of Omar Khayyam is his most recent project. He devoted five years of intensive and creative study to produce the book. Naghi Naghashian created the Arianª font family in 2009 and Aban font family, Jasna font family, Anahita Headline font, Avesta ExtraBoldCondensed, Ahoura font family, BiBi Font family, Decora one, Decora Two, Bamdad ExtraBoldCondensed and Parsi Font family in 2010 and 2011.

Type and Graphic designer BA & MA in Graphic Design from Soore University Collaboration in the design, optimization, and development of the Vartan typeface, Mashq Studio.

An Arnold Boecklin letraset transfer, when he was nine years old. Since then, he hasn’t stopped playing with letters, written or drawn, working as a type designer, visual arts educator and creative director for print, digital and video. He has designed over fifty typeface families for Zetafonts foundry, which he co-founded with Francesco Canovaro and Debora Manetti . His typefaces include Cocogoose, Blacker (selected by Myfonts as one of the best new families of 2019), Monterchi (CA typography award 2020, Myfonts hidden gem 2019), Stinger (CA typography award 2021), Stadio Now (TDC68) and Keratine (CA typography Awards 2023). He has a cat named Bodoni and too many books.

Began his journey in type design through Persian graffiti. He holds a degree in Sculpture from the University of Tehran’s Faculty of Fine Arts and has collaborated with leading Tehran-based studios such as Kargah and A4 in designing custom typefaces.

Abjad aspires to develop and transfer the Arabic typography, to the same level, that was reached by Arab and Muslim calligraphers, who came from very diverse cities and civilizations, extending from Samarkand and China in the east, to Andalusia in the west. This diversity has produced countless forms and schools of Arabic calligraphy.

The Northern Block is an independent type foundry internationally recognised for producing modernist fonts for brands, creatives and makers.

Being the first and most experienced independent font foundry from South America, PampaType was founded in 2001 in Argentina by Alejandro Lo Celso, with the purpose of developing high quality typefaces for the widest range of uses, engaging in both retail & bespoke font industries. Since then their passion and work, which pioneered the Latin American type design scene, have become widely known and appreciated. Their typefaces have been broadly recognized for their quality and originality, and their team have become more international and more experienced. They believe in the idea of diversity. It is not unusual that PampaType families include various styles, some of them meant for immersive reading, some others for titling or decorative use. Their fonts are carefully handcrafted. They pay serious attention to details so characters look good both printed and on screen. Spacing and kerning are made by hand following visual strategies rather than mathematical methods. Therefore instead of feeling mechanical, their fonts build an organic rhythm, aiming at a friendly atmosphere and comfortable reading.

A leading and established boutique type foundry known for creating fonts that are distinctively human and full of character.

A Netherlands-based type design company, recognised internationally as experts in multilingual typography and creating innovative font solutions for both global and local audiences.