The Arabic Type Design Archive

Reza Ghaffari | Type Designer, Official member of the Iranian Graphic Designers Guild since 2008.

Omaima Dajani is a graphic and type designer from Jerusalem, specializing in Arabic script. She holds a Bachelor’s degree in Visual Communication and a Diploma in Art and Design Education from Jerusalem, as well as a Master’s degree in Type Design from the Royal Academy of Art in the Netherlands. Omaima has collaborated with leading type foundries and is the award-winning designer of the typeface Lifta. She has also served as a judge in both local and international type and design competitions. With experience in teaching, she is also a lead researcher at the Arabic Design Archive (ADA) and the founder of Palestine Type Walks.

Graphic designer who likes vector types based in Indonesia. He has loved drawing letters and Arabic calligraphy since he was a child, studied the basic rules of Arabic calligraphy at the Islamic Boarding School and Graduated from the Indonesian Institute of the Arts Yogyakarta. When he met GlyphsApp in 2019, he started designing his own typography, and was enthusiastic about harmonizing latin and arabic fonts.

Specializing in brand development and strategy, from conception to final implementation. I have approximately 12 years of experience in graphic design and art direction, during which I have worked for government entities, marketing agencies, and branding agencies. I have also provided consulting services to various entities and companies.

A type designer and lettering artist, born in Beirut and based in Amsterdam. He holds a Master in Type & Media from the Royal Academy of Art (The Hague). He has co-founded TPTQ Arabic type foundry, Arabic Type Design — Beirut , the first international educational program of its kind and the Arabic Lettering Workshops traveling series. He has taught at LAU Beirut, ESAV Marrakech and currently teaches at the Type & Media master program (Royal Academy of Art — The Hague). He reguarly gives workshops and talks around the world. His work received several awards including the New York Type Directors Club’s Certificate of Typographic Excellence, ATypI’s Letter.2, and the European Design Award.

A type foundry and design studio specifically focused on developing high quality Arabic typefaces. It is the result of a collaboration that started in 2011 between Kristyan Sarkis and Peter Bilak of Typotheque.

NaN is an exploratory and service-driven type design practice balancing weirdness and wisdom. Together with our wonderful rag-tag team of collaborators, clients and crew, we explore the relationship type has with code and technology – delivering projects with purpose. You can expect to find us at the intersection of serious and slap-happy.

Boharat is a type foundry that aims to introduce new flavors to the Arabic design scene. Boharat Cairo offers remarkable retail fonts, and accepts custom and bespoke fonts and typography related projects.

As an industry-leading typeface design studio, we’ve built a culture and reputation centred on creativity, innovation, and excellence. In this section, you’ll find a comprehensive overview of our vibrant studio, our deeply-rooted values, and our exceptionally talented and dedicated team.

About. Founded in 2014, Black[Foundry] grew from a shared passion for typography and attention to detail. Over the years, we’ve brought together a committed, international team in central Paris, collaborating with clients and partners worldwide.