The Arabic Type Design Archive

Researcher in the field of new media, design, and advertising.

Masters in Type Design at the University of Reading in 2016 and joined us as a fully fledged Lazydog in 2020. Kat has worked as a typographer and graphic designer before she went on to study type design at the University of Reading in 2015/16. She not only works as a type designer and design director, but also teaches typography at the DIPLOMA University of Applied Sciences and has been part of numerous design conference teams (Granshan, EDCH, Dynamic Font Day). As a graduate of the MATD she brings an international approach and outlook to our company. Besides a love of letters with diacritics she is interested in writing systems beyond Latin, particularly Cyrillic and Arabic – and she is officially responsible for our Lazydogs’ Capital Eszett glyphs. In addition to those official duties, the freshest kat in our dog house also entertains us with type designers’ gossip from the social media realm and the hottest stories from Munich’s graphic design scene.

A graphic designer and type designer. Born in 2006, he has been professionally engaged in Persian type design since 2022. In his early years, his focus was on graphic design, but gradually, with a deeper involvement in typeface design, he shaped his professional path. He is the designer of the free fonts Rooyin, Sorena, and Estedad Mad, which reflect his approach to simplicity, readability, and the contemporary needs of Persian typography.

Born in 2004 in Tehran. Graduated from the Academy of Fine Arts. Student of the University of Arts. Type designer and font developer.‍

Born in 1962, I am a type designer based in Barcelona and Son (Alt Àneu). I design retail and custom typefaces at typerepublic and I have been awarded with several Excellence in Type Design for my type design work. I am a member of AGI (Alliance Graphique Internationale) and ATypI (Association Typographique Internationale). I hold a PhD in Design from the University of Southampton (UK) and teach typography and type design at EINA, University School of Design and Art, in Barcelona. Apart from these type affairs, I also love hiking and riding on my mountain bike.

A type foundry and design studio specifically focused on developing high quality Arabic typefaces. It is the result of a collaboration that started in 2011 between Kristyan Sarkis and Peter Bilak of Typotheque.

29Letters Type Foundry S.L. [29LT] is dedicated to creating and publishing multiscript typefaces. Its Arabic and Latin typography leading edge arises from its collaborative team of professional Arab and European type designers crafting high-quality typefaces. Besides publishing unique retail fonts, 29LT frequently joins forces with renowned international branding, design, and advertising agencies to deliver high-end typographic solutions, such as bespoke fonts and wordmarks.

As an industry-leading typeface design studio, we’ve built a culture and reputation centred on creativity, innovation, and excellence. In this section, you’ll find a comprehensive overview of our vibrant studio, our deeply-rooted values, and our exceptionally talented and dedicated team.

Canada Type is an independent digital lettering and font development studio based in Toronto. We were founded in 2004 by a couple of experienced designers who were not pleased with the quality and licensing terms of fonts around the turn of the century. Since then we have greatly expanded, built a versatile and popular retail catalogue, and helped many designers bring international attention to their talents in the constantly changing and increasingly competitive world of type design.

TSfonts type studio was founded by Tarek Alsawwa in 2019 and is based in Istanbul, Turkey. We have developed a strong library of beautiful fonts, which we own and license to designers, advertisers, and brands. We're constantly crafting and adding new fonts to keep our body of work fresh and relevant.