The Arabic Type Design Archive

Amirarsalan Ahmadi is an Aerospace Engineering student at Sharif University of Technology. For the past few years, he has been studying and working in graphic design, with a particular focus on logo design. He has also gained experience in creating textual and visual content for both official and unofficial media platforms.

Parnian Kashfi, a graduate of graphic design, designed the Parnian font as a student project at the Moslem Ibrahim Typography Workshop.

Art Education Teacher , Developer & Designer Type , logos , Calligrapher

Jawaher Alali is a designer and educator from Bahrain. She graduated with degrees in Graphic Design and Advertising from Drake University, and holds an MA in Typeface Design from the University of Reading. Jawaher has experience working as a graphic designer in the fields of publishing, branding, and advertising, and is currently a full-time lecturer of Visual Design at Bahrain Polytechnic.

Born in 1362 in Kermanshah Typeface and logotype designer He is a PhD student of graphics at Tehran University. in different universities such as; Al-Zahra, Soura, Apadana (Shiraz) and... teach graphic courses at undergraduate and graduate levels. Also, various research works of his in the field of graphics have been published in the form of books and articles. As a graphic designer with various collections such as; Pegah, Mino Industrial Group, Biomax, Pishgaman, etc. have cooperated so far.

Through our unique, diverse, curated font platform, TypeTogether creates innovative and stylish solutions to the greatest problems in the professional typography market worldwide.

Monotype Fonts transforms the way modern brands work by making font licensing and management simple, secure, and scalable across teams.

Being the first and most experienced independent font foundry from South America, PampaType was founded in 2001 in Argentina by Alejandro Lo Celso, with the purpose of developing high quality typefaces for the widest range of uses, engaging in both retail & bespoke font industries. Since then their passion and work, which pioneered the Latin American type design scene, have become widely known and appreciated. Their typefaces have been broadly recognized for their quality and originality, and their team have become more international and more experienced. They believe in the idea of diversity. It is not unusual that PampaType families include various styles, some of them meant for immersive reading, some others for titling or decorative use. Their fonts are carefully handcrafted. They pay serious attention to details so characters look good both printed and on screen. Spacing and kerning are made by hand following visual strategies rather than mathematical methods. Therefore instead of feeling mechanical, their fonts build an organic rhythm, aiming at a friendly atmosphere and comfortable reading.

This is KO-type. The move you probably anticipated, that will knock all free font-haters out of their chairs. That was a joke. Kotype is a community dedicated to the love of Arabic fonts. Whether it’s appreciation, creation, or simply usage, we are all connected by the love of Arabic Fonts, just like our love for the Arabic language.

DSType is an independent type foundry, founded in 1994. Since then we had the opportunity to work with some of the world’s most recognized companies, brands, and publications while creating an extensive and comprehensive catalog of high-quality typefaces. We have received numerous awards, including a Certificate of Excellence in Type Design by the Type Directors Club and we have been featured in several magazines, newspapers, books, and exhibitions worldwide. You will be able to see our work at most newsstands, several packaging, world-known brands, and global scale events.