The Arabic Type Design Archive

Seyed Mahdi Seyedinia, born in 2002 in Kashan, is an active and experimental designer in the field of type design (logotype, typography, and typeface design).

My journey in type design and typography goes beyond a mere fascination with the artistic form. It is driven by a profound exploration of how these shapes interact with essential human activities such as reading and information processing. I believe that the right typography can enhance the communication experience, making it more accessible, engaging, and meaningful. Throughout my career, I have honed my skills in crafting beautiful and functional typefaces that capture the essence of the Arabic script. I am proficient in utilizing cutting-edge design software and techniques to create visually striking and technically precise type designs. Collaboration is at the heart of my creative process. I enjoy working closely with clients, fellow designers, and experts in the field to understand their unique requirements and deliver tailored solutions that exceed expectations. Whether it’s designing custom typefaces for branding projects or creating legible and harmonious fonts for publications, I am committed to delivering exceptional results that align with the vision and purpose of each project. As a lifelong learner, I stay updated with the latest trends, research, and advancements in the field of typography. I actively participate in workshops, conferences, and online communities to expand my knowledge and skills, ensuring that my work reflects the highest standards of quality and innovation. Academic Education: -Master of visual art in graphic design, reading type & typography. PXL-Mad university of college arts & media, Hasselt, Belgium, 2021-2023. -Master of science in visual communication. Azad university science, research and technology branch, Tehran, Iran, 2019. -Bachelor of visual communication. Enghelab technical college, Tehran, Iran, 2014. -Associate degree in graphic design. Enghelab technical college, Tehran, Iran, 2010. -Diploma in graphic design. Hamedan technical highschool of fine arts, Iran, 2006.

I have a degree in Graphic Design and have been a member of the Iranian Graphic Designers Society (since 1987). I am involved in typeface design, font development, and logotype design. I have publicly released the Potk and Borna fonts, and I designed the Ayandeh, Ali Baba, Bonyad Koodak, Fanoos, and Inverse fonts in collaboration with Reza Bakhtiari Fard. The design and creation of the Kamand font in collaboration with Omid Emamian, as well as the development of the Valman font, are among my latest activities. I have held various workshops and courses in the field of typography, and I received the third Grand Prize at the 2021-2022 Granshan competition in Armenia for the Ali Baba font and a special award for the Potk font.

Began his journey in type design through Persian graffiti. He holds a degree in Sculpture from the University of Tehran’s Faculty of Fine Arts and has collaborated with leading Tehran-based studios such as Kargah and A4 in designing custom typefaces.

With over 27 years of experience in art and design across the GCC, Lara leads Landor’s creative efforts in the Middle East, aligning the company’s global vision with local dynamics and fostering talent. Prior to joining Landor, she was Creative Director of Design for Apple in the Middle East from 2016 to 2022. Lara initially joined Landor in Dubai in 2001, where she contributed to key projects such as Brand Jordan, Commercial Bank of Dubai, and Al Tayer Group, staying until 2005.

Alef Type Foundry is a small typeface design studio based in Paris, France. We are specialized in Arabic and matchmaking type design.

Alif Type the online home for my, Khaled Hosny, typefaces. It is a virtual type foundry, in the sense that there no physical place, a company, or employees, it is just me doing things I love mostly in my spare time. My typefaces are all free, and open source.

NamelaType is a type foundry based in Magelang, Indonesia operated by Nur Syamsi and Bustanul Arifin. Passionate about harmonizing Latin and Arabic fonts, we aim to create innovative solutions that align their weight, shape, and style—despite their opposite flows—while exceeding our own and our readers’ expectations.

About. Founded in 2014, Black[Foundry] grew from a shared passion for typography and attention to detail. Over the years, we’ve brought together a committed, international team in central Paris, collaborating with clients and partners worldwide.

Canada Type is an independent digital lettering and font development studio based in Toronto. We were founded in 2004 by a couple of experienced designers who were not pleased with the quality and licensing terms of fonts around the turn of the century. Since then we have greatly expanded, built a versatile and popular retail catalogue, and helped many designers bring international attention to their talents in the constantly changing and increasingly competitive world of type design.