The Arabic Type Design Archive

Amir is Master in business management. He has been interested in typography since 2019 and is active in the field of lettering, logotype design and font design.

Hasan is a prolific Arab designer living in Gaza/Palestine. He’s been running Hiba Studio since 2007. He has designed several Arabic fonts such as Hasan Alquds in cooperation with Mamoun Sakkal and Hasan Hiba, a traditional Kufi font. Hasan Hiba along with one of his other designs Hasan Noor were recently upgraded to the DecoType font format for use in WinSoft Tasmeem now bundled with InDesign CS4. Hasan Abu Afash has also developed complex opentype layout features for numerous Arabic fonts such as the Arajhi family for the Alrajhi Bank of Saudi Arabia, the Jumeirah Arabic font designed by Pascal Zoghbi and Huda AbiFares for Jumeirah International/UAE, the Seria Arabic font family designed by Pascal Zoghbi for FontShop International, Alinma TheSans fonts designed by Luc(as) de Groot and Mouneer ElShaarani for Al Inma Bank and Chams Arabic font family designed by Al Mohtaraf Assaudi.

Peter Biľak works in the field of editorial, graphic, and type design. In 1999 he started Typotheque type foundry, in 2000, together with Stuart Bailey he co-founded art & design journal Dot Dot Dot, in 2012 he started Works That Work, a magazine of unexpected creativity, in 2015 together with Andrej Krátky he co-founded Fontstand.com, a font rental platform. He collaborates with the choreographer Lukas Timulak on creation of modern dance performances, and together they started Make-Move-Think.org, a foundation for interdisciplinary artistic collaborations. Peter is teaching at the Type & Media, postgraduate course at the Royal Academy of Arts, The Hague. Member of AGI (Alliance Graphique Internationale).

Graphic and type designer

Albert-Jan Pool is a Dutch designer based in Hamburg, Germany. After his studies at Gerrit Noordzij at the Royal Academy in The Hague (NL), he was a type director at Scangraphic and URW. In 1995 his career started as a graphic designer. At the suggestion of Erik Spiekermann, he designed FF OCR-F and FF DIN, one of the most successful fonts at FontShop. The interplay of graphic design, marketing and writing led to the publication of “types make brands powerful” together with Stefan Rögener (AdFinder) and Ursula Packhäuser. The English edition “Branding with Type” appeared at AdobePress. At the Hanseatic Academy for Marketing and Media in Hamburg, he taught typography in the Department of Communication Design for several years. One of his specialties is the development of corporate type, e.g. the Jet Set Sans, for the likewise memorably designed yellow-blue filling stations (Design: Syndicate Brand & Corporate Design, Hamburg). The C & A InfoType was developed together with Uwe Melichar from Factor Design for their customer C & A. The next project in this series was the DTL HEIN GAS, the exclusive handwriting for HEINGAS Hamburger Gaswerke (now E.ON Hanse). In 2009, he designed a corporate type for the new petrol stations at HEM. Fabian Eschkötter, who designed the design “Frappant” as part of his diploma thesis, supported him energetically.

Monotype Fonts transforms the way modern brands work by making font licensing and management simple, secure, and scalable across teams.

A global type design studio that offers high-quality typefaces for retail licensing and custom client projects.

Atlas Fonts publishes original typefaces for today’s global reading experiences. Dedicated to professional use in editorial, brand, and interface design, Atlas’ typefaces offer multilingual, multi-platform solutions. Carefully crafted details and thoughtful features enable designers to achieve refined typography and innovative visual identities. Our typographic systems are built to perform across all environments – from large-scale to micro text, from one script to another. Each growing collection of high-quality font families is meticulously developed and extensively expanded. What began nearly twenty years ago as an academic playground for language, reading behavior, and typographic design has evolved into a studio dedicated to developing comprehensive typographic systems. We aim to solve the complex challenges of multi-platform typography in a globalised world for each individual native reader. Founded in 2012 by Christoph Dunst, Atlas Fonts is based in Berlin, Germany.

Protype is an independent type foundry and a place to explore beautifully typefaces that are made with love.

Latinotype is a Chilean digital type foundry founded in 2007 that designs and distributes high-quality fonts inspired by Latin American culture and global influences. They have a large library of fonts, are considered a leading type company globally, and offer custom font services.