The Arabic Type Design Archive

He is an award-winning typeface designer whose work spans multiple scripts and design cultures. His path to type was anything but linear – having gone from juggling and organising concerts to working in visual communication, graphic design, illustration, web design, packaging, and animation. He finally chose to pursue his passion with typography. Kostas graduated the MA in Typeface Design from the University of Reading with distinction and held a senior designer role at URW Typefoundry, before becoming one part of Foundry 5 in 2021. He enjoys innovative explorations in Latin, Greek, Cyrillic, and Arabic type design, and spends his time designing original typefaces, expanding script support of existing ones, and offering consultation for designers and type foundries such as Google Fonts, TypeTogether, and NaN. He has received acclaimed awards and recognitions for his work by the Type Directors Club, Granshan, EdAwards, EVGE, and Communication Arts, and he has served as a juror for both TDC and Granshan competitions. Among his most notable works is Averta, named one of the top 100 most-used web fonts. He co-designed Peridot Latin and Peridot PE, expansive families that support Latin, Greek, and Cyrillic scripts with over 120 styles, as well as other popular fonts such as Commissioner, Oi, Zona Pro, and Evert.

Majid Halakooi is a graphic designer and instructor. For couple of years, he has been pursuing design in the field of Persian typography.

Type designer and engineer, He entered the field in 2014 after initially being involved in lettering. Indonesian scripts piqued his interest, particularly in the area of font engineering. Started his own foundry in 2015 called AlternaType to explore his questions about the world of typography. Simultaneously, He pursued a study in Arabic Language and Literature at Al-Azhar University in Cairo. In 2020, He joined Schriftlabor and became involved in various stages of type development. And now working as a freelance drawing and engineering for another foundries.

A designer specialized in Arabic type design, animation and creative coding. Reputedly a TypeMedia graduate who works and lives in The Hague, The Netherlands. He has designed the Arabic companion for the large Fedra family and also award winning Harir typeface. He works now in his studio Bahman Design, designing and developing fonts and also tools for designers.

He holds a Bachelor's and Master's degree in Graphic Design from the University of Tehran. He completed type design courses under the supervision of Sedaghat Jabari and Masoud Sepehr at the university, while also attending independent workshops at Vije School with Damoon KhanjanZadeh. He has collaborated closely with various studios, including Kargah Studio, Sepehr Studio, Daftar Studio, and Markazi Studio, in type design and font development. His released typeface families include the exclusive typeface family for Saman Bank, the Royasamin font family, and the Roudaki font family for the Roudaki Foundation.

TSfonts type studio was founded by Tarek Alsawwa in 2019 and is based in Istanbul, Turkey. We have developed a strong library of beautiful fonts, which we own and license to designers, advertisers, and brands. We're constantly crafting and adding new fonts to keep our body of work fresh and relevant.

Our names are Sahar Afshar and José Solé, and we are partners in life and in Dogray, a type foundry based in the south of London. We met in 2017 in a type conference⁠—⁠here’s to our dearly departed TypoLabs Berlin⁠🍻⁠—⁠and hit it off (we actually met in 2015 at our friend Kalapi’s wedding in India, but that’s a story for another time). After working in a large type design studio for some years, we decided to leave the safety of our full time jobs and get back to what brought us to making fonts in the first place; the joy of creative decision making in the design of typefaces, and reconnecting with the wider design community. We started Dogray Type Foundry to do just that; to enjoy designing fonts we feel will be useful, and bring fun back into our careers. Very importantly, we wanted to embrace collaboration over competition; we center co‑creating at the heart of our foundry⁠—⁠not just in combining our individual strengths and skills, but also by using each of our library fonts as an opportunity to collaborate with a different creative from the wider fields of Arts and Humanities. We do this because of our fundamental belief; that best work happens when unique and diverse perspectives collide.

We specialise in letters in a broad sense, from type design to lettering, from Latin to Arabic, passing through other scripts such as Armenian, Cyrillic, Georgian, Greek, Hebrew and Thai. We are surrounded by a network of bright collaborators and consultants in order to ensure the best possible quality. Our work has been recognised internationally in several type competitions such us TDC, ED-Awards, Morisawa, Granshan, Modern Cyrillic and Horouf.

Abjad aspires to develop and transfer the Arabic typography, to the same level, that was reached by Arab and Muslim calligraphers, who came from very diverse cities and civilizations, extending from Samarkand and China in the east, to Andalusia in the west. This diversity has produced countless forms and schools of Arabic calligraphy.

A Netherlands-based type design company, recognised internationally as experts in multilingual typography and creating innovative font solutions for both global and local audiences.